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Metal Print : Americae Tertia Pars, how I fell into the hands of the enemy (page 346)
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Americae Tertia Pars, how I fell into the hands of the enemy (page 346)
XIR902321 " Americae Tertia Pars", how I fell into the hands of the enemy (page 346), 1562 (colour engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes, France; (add.info.: " Americae Tertia Pars". Comment je suis tombeaux mains de l ennemi (page 346)); Flemish, out of copyright
Media ID 12946011
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Bastion Bow And Arrow Captive Capture Colonisation Discovering Disembarkation Documenting Land Landing Native American Indian New World Paddle Quiver Stronghold Flemish Artist Natives
16"x20" (51x41cm) Metal Print
Bring the intriguing history of America's discovery to life with our Media Storehouse Metal Prints featuring "Americae Tertia Pars, how I fell into the hands of the enemy (page 346)" by Theodore Bry. This captivating color engraving, originally published in 1562, is now available as a high-quality metal print from Fine Art Finder. Witness the pivotal moment in history as depicted in this exquisite work by Bry, sourced from the Service Historique de la Marine, Vincennes. Our Metal Prints are known for their vibrant colors, rich detail, and long-lasting durability, making them a stunning addition to any home or office decor. Experience the artistry and historical significance of this engraving like never before with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Americae Tertia Pars, how I fell into the hands of the enemy (page 346)" takes us back to a significant moment in history. Created by Flemish artist Theodore de Bry in 1562, this colour engraving vividly depicts the encounter between European colonizers and Native American tribes during the early days of exploration. The scene unfolds on a lush island as boats filled with curious explorers make their way towards land. As they disembark, armed with bows and arrows, a group of native men stands ready to defend their territory. The tension is palpable as both sides face each other, representing two worlds colliding for the first time. The attention to detail in this artwork is remarkable; every stroke captures the essence of discovery and documentation that characterized this era. The artist's portrayal of nude natives adorned with quivers adds an air of authenticity to this historical narrative. "Americae Tertia Pars" serves as a visual testament to the complexities surrounding colonization and its impact on indigenous populations. It reminds us of the struggles faced by those who fell into enemy hands or became captives during these encounters. As we gaze upon this thought-provoking image, we are transported back in time, witnessing a pivotal moment that forever changed our understanding of North America's rich tapestry. Through art like this engraving, we can reflect on our shared history while acknowledging its complexities and striving for a more inclusive future.
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