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Metal Print : Philip Herbert, 4th Earl of Pembroke, English courtier and favourite of King James I (engraving)
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Philip Herbert, 4th Earl of Pembroke, English courtier and favourite of King James I (engraving)
7185554 Philip Herbert, 4th Earl of Pembroke, English courtier and favourite of King James I (engraving) by Faithorne, William (1616-91) (after); Private Collection; (add.info.: Philip Herbert, 4th Earl of Pembroke (1584-1650), English courtier and favourite of King James I. Illustration from Woodburns Gallery of Rare Portraits (George Jones, London, 1816).); © Look and Learn
Media ID 24712498
© Look and Learn / Bridgeman Images
Courtesan Courtier Courtiers Frock Saree Sarees 4th Earl Of Pembroke Costume Design Portait Portriat Summer Clothes
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Metal Prints featuring the enchanting image of Philip Herbert, 4th Earl of Pembroke. This beautiful engraving, captured by the skilled hand of William Faithorne after the original work, showcases the English courtier and favorite of King James I in stunning detail. Our high-quality Metal Prints are not just a decorative addition to your space, they are a conversation starter and a testament to the rich history of art and culture. Add this captivating piece to your collection and let the story of Philip Herbert be told for generations to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving showcases Philip Herbert, the 4th Earl of Pembroke, an influential English courtier and a favorite of King James I. The portrait, created by William Faithorne in the 17th century, captures the essence of this historical figure with great detail and precision. Philip Herbert's attire reflects the fashion trends of his time, offering us a glimpse into the sartorial choices of English nobility during the early 1600s. His elaborate costume design exudes elegance and sophistication, highlighting his status as a prominent member of society. As we delve into history through this remarkable artwork, we are transported to a bygone era where courtiers played significant roles in shaping political landscapes. Philip Herbert's close relationship with King James I is evident from his confident posture and regal demeanor depicted in this engraving. The intricate lines etched by Faithorne bring life to every aspect of this portrait – from Philip Herbert's facial features to the delicate folds in his clothing. This exquisite piece serves as both a testament to artistic skill and an invaluable window into England's rich cultural heritage. Displayed here as part of Woodburns Gallery of Rare Portraits collection published in London in 1816, this print offers viewers an opportunity to appreciate not only Philip Herbert but also the artistry that went into capturing him for posterity.
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