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Metal Print : The so-called Diana Vaughan, dressed as an inspector of Palladism, c. 1895 (b / w photo)
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The so-called Diana Vaughan, dressed as an inspector of Palladism, c. 1895 (b / w photo)
XJF438424 The so-called Diana Vaughan, dressed as an inspector of Palladism, c.1895 (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Leo Taxil (1854-1907) wrote a series of books and pamphlets denouncing Freemasonry, charging their lodges with taking part in devil worship and alleged that Diana Vaughan had confessed to him her part in a Satanic Palladism cult; it was all an elaborate hoax, Vaughan was simply a typist employed by Taxil, who had given permission for her name to be used; ); French, out of copyright
Media ID 12881061
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Cross Dressing Cult Fake Fraud Freemason Freemasonry Freemasons Hoax Inspection Inspector Satanic
16"x20" (51x41cm) Metal Print
Bring timeless elegance and intrigue into your home with our Media Storehouse Metal Prints. Featuring the captivating image of "The so-called Diana Vaughan, dressed as an inspector of Palladism, c.1895" by a French Photographer, this black and white photograph from the 19th century transports you back in time. Diana Vaughan, dressed in the mysterious attire of a Palladism inspector, exudes an air of mystery and allure. Our high-quality Metal Prints offer vibrant colors, exceptional clarity, and a sleek, modern design that complements any decor. Add this stunning work of art to your collection and create a captivating conversation piece in your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the enigmatic figure known as Diana Vaughan, dressed in the attire of an inspector of Palladism. Taken around 1895 by a French photographer, this image is part of a private collection that sheds light on a fascinating chapter in history. Diana Vaughan's story is one intertwined with deceit and controversy. In the late 19th century, Leo Taxil, an author vehemently opposed to Freemasonry, propagated a series of books and pamphlets denouncing their practices. Among his claims was that Diana Vaughan had confessed her involvement in a Satanic Palladism cult to him. However, it later came to light that this entire narrative was nothing more than an elaborate hoax. Diana Vaughan was not some high-ranking member of a devil-worshipping cult but rather a typist employed by Taxil himself. She had given permission for her name to be used as part of his fabricated tale. In this photograph, we see Diana Vaughan standing tall in her inspector uniform, embodying both mystery and deception simultaneously. The cross-dressing aspect adds another layer to the intrigue surrounding her persona. While ultimately exposed as fraudulent, this image serves as a reminder of how easily misinformation can captivate public imagination. It stands as testament to the power of storytelling and our innate fascination with tales involving secret societies and forbidden rituals. As we gaze upon this portrait today, let us remember not only its artistic value but also the cautionary tale it represents – urging us to question narratives presented before
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