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Metal Print : John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving)

John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving)



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John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving)

537631 John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, 1862 (engraving); (add.info.: John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood. Illustration for the poem The Bishop and the Knight published in The Cornhill Magazine, London, 1862. The Knight penitent before the Bishop who, on hearing his sin, refuses to shrive him. Engraving.); Universal History Archive/UIG

Media ID 38454062

© Universal History Archive/UIG / Bridgeman Images

1862 Bishop Brotherhood Cornhill Cornwall Crozier Forgiveness Founder Hearing John Member Millais Mitre Penitent Published Refuses Repentance 1829 1896 Everett Pre Raphaelite


16"x24" (61x41cm) Metal Print

Elevate your space with the timeless beauty of art history! Our Metal Prints feature stunning reproductions like this iconic engraving by John Everett Millais (1829-1896), founder member of the Pre-Raphaelite Brotherhood, from Bridgeman Images. Bring a touch of elegance and sophistication to any room with our high-quality metal prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Europe > United Kingdom > Northern Ireland > Posters

> Europe > United Kingdom > Northern Ireland > Related Images


EDITORS COMMENTS
This engraving captures the essence of John Everett Millais, a prominent English artist and founder member of the Pre-Raphaelite Brotherhood. In this illustration for the poem "The Bishop and the Knight" published in The Cornhill Magazine in 1862, we see a powerful scene unfold before our eyes. The Knight, portrayed as penitent and remorseful, kneels before the Bishop seeking forgiveness for his sins. However, to his dismay, the Bishop refuses to grant him absolution upon hearing the gravity of his transgressions. The tension between repentance and rejection is palpable in this poignant moment captured by Millais. Through intricate details and masterful composition, Millais brings to life a moral dilemma that resonates with viewers even today. The somber expressions on both characters' faces convey a sense of inner turmoil and conflict that adds depth to this narrative scene. As one delves deeper into this engraving, one can't help but be drawn into the emotional complexity of the story unfolding before them. It serves as a reminder of human fallibility and the struggle for redemption in the face of sin. Millais' skillful portrayal of this timeless theme cements his legacy as an artist who not only captured beauty but also delved into profound moral questions through his work.

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