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Metal Print : Hogarths, Masquerades and Operas
Metal Prints from Fine Art Storehouse
Hogarths, Masquerades and Operas
Vintage engraving of William Hogarths Masquerades and Operas (The Bad Taste of the Town), Burlington Gate. First published in February 1723/24. It mocks the contemporary fashion for foreign culture, including Palladian architecture, pantomimes based on the Italian commedia dell arte, masquerades (masked balls), and Italian opera
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duncan1890
Media ID 18206143
16"x20" (51x41cm) Metal Print
Step into the world of 18th-century London's high society with our stunning Media Storehouse Metal Prints featuring the enchanting works of Duncan1890. This exquisite collection showcases William Hogarth's iconic series, "Masquerades and Operas (The Bad Taste of the Town)," originally published in 1723/24. These vintage engravings depict the vibrant and intriguing scenes of Hogarth's Masquerades and Operas, offering a captivating glimpse into the opulence and mischief of the era. Our premium Metal Prints bring the rich details and vibrant colors of these timeless masterpieces to life, making them a perfect addition to any home or office space. Experience the allure of history with these elegant and sophisticated prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This vintage engraving captures the essence of William Hogarth's satirical masterpiece, "Masquerades and Operas (The Bad Taste of the Town)". Published in February 1723/24, this print is a testament to Hogarth's ability to mock and critique the prevailing trends of his time. In this intricate artwork, Hogarth takes aim at the contemporary fascination with foreign culture that was sweeping through society. From Palladian architecture to pantomimes inspired by Italian commedia dell'arte, masquerades or masked balls, and even Italian opera - no aspect escapes his sharp wit. The composition is richly detailed, inviting viewers into a world where excesses reign supreme. The characters depicted are adorned in extravagant costumes and masks, engaging in frivolous activities that highlight their shallow obsession with all things foreign. Hogarth's keen eye for social commentary shines through as he exposes the absurdity of these cultural fads. Through clever symbolism and exaggerated gestures, he presents a scathing critique on society's blind embrace of what he perceives as superficial trends. As we gaze upon this print from Duncan1890's collection at Fine Art Storehouse, we are transported back to an era where art served not only as entertainment but also as a mirror reflecting societal flaws. This engraving serves as a reminder that while fashion may change over time, human tendencies towards imitation and excess remain constant throughout history.
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