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Metal Print : An 1895 American cartoon by F. Victor Gillam suggesting that the Cleveland administration was inattentive to British encroachment during the Venezuelan Boundary Dispute
Metal Prints from Granger
An 1895 American cartoon by F. Victor Gillam suggesting that the Cleveland administration was inattentive to British encroachment during the Venezuelan Boundary Dispute
VENEZUELA BOUNDARY, 1895.
An 1895 American cartoon by F. Victor Gillam suggesting that the Cleveland administration was inattentive to British encroachment during the Venezuelan Boundary Dispute
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7780039
1895 Argument Artilleryman Boundary Cannon Cleveland Democrat Gillam Great Britain Grover Monroe Doctrine Political Acts Venezuela Venezuelan Victor Victorian
16"x20" (51x41cm) Metal Print
Add a piece of historical art to your home or office with our Metal Print of "Venezuela Boundary, 1895" by F. Victor Gillam. This captivating cartoon, originally published in 1895 by Granger Art on Demand, vividly illustrates the Venezuelan Boundary Dispute between the United States and Great Britain. The Cleveland administration's perceived inattentiveness to British encroachment is brilliantly depicted in this satirical work. Our high-quality Metal Prints bring out the rich details and vibrant colors of this iconic piece, making it a stunning addition to any collection. Experience the past in a modern way with our durable and long-lasting Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Granger Art on Demand
> American Presidents
> Europe
> United Kingdom
> England
> Cleveland
> South America
> Venezuela
> Related Images
EDITORS COMMENTS
This 1895 American cartoon by F. Victor Gillam captures the tension and concern surrounding the Venezuelan Boundary Dispute during Grover Cleveland's administration. The artwork suggests that the Cleveland administration was inattentive to British encroachment, highlighting a critical moment in American history. In this Victorian-era print, we see an English artilleryman standing atop a cannon labeled "British Encroachment" pointing it towards an oblivious President Cleveland. The cartoon symbolizes the perceived threat of British aggression towards Venezuela and questions whether the president is adequately addressing this issue. The artist cleverly incorporates various elements to convey his message effectively. The use of caricatured figures adds humor while emphasizing their political roles. Furthermore, the inclusion of a banner reading "Monroe Doctrine" reminds viewers of America's longstanding policy against European intervention in Latin America. Gillam's illustration reflects broader concerns about national sovereignty and foreign influence during this period. By depicting President Cleveland as unaware or indifferent to British actions, he criticizes what some saw as a lackluster response from the government. Overall, this thought-provoking image serves as both political commentary and historical documentation of an important event in American diplomacy. It invites viewers to reflect on past conflicts between nations and raises questions about how leaders should navigate international disputes while protecting their country's interests.
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