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Metal Print : ANTI-TRUST CARTOON, 1889. The Rising of the Usurpers and the Sinking of the Liberties of the People. An 1889 cartoon by Thomas Nast protesting the control exercised over the necessaries of life by the trusts
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ANTI-TRUST CARTOON, 1889. The Rising of the Usurpers and the Sinking of the Liberties of the People. An 1889 cartoon by Thomas Nast protesting the control exercised over the necessaries of life by the trusts
ANTI-TRUST CARTOON, 1889.
The Rising of the Usurpers and the Sinking of the Liberties of the People. An 1889 cartoon by Thomas Nast protesting the control exercised over the necessaries of life by the trusts
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6245018
1889 Anti Monopoly Anti Trust Capitalism Commerce Gilded Age Liberty Monopoly Movement Nast Pedestal Political Acts Statue Statue Of Liberty Symbol Trust
16"x24" (61x41cm) Metal Print
Step back in time with our captivating Metal Print from Media Storehouse, featuring the iconic "Anti-Trust Cartoon, 1889" by Thomas Nast. Witness the powerful protest against monopolistic control in this thought-provoking image, "The Rising of the Usurpers and the Sinking of the Liberties of the People." This high-quality Metal Print brings history to life with its vibrant colors and stunning detail, making it an excellent addition to any home or office. Experience the rich history and artistry of Thomas Nast with our premium Metal Prints from Granger Art on Demand. #History #Art #ThomasNast #AntiTrust
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The "ANTI-TRUST CARTOON, 1889" is a powerful visual representation of the struggle between monopolistic trusts and the liberties of the American people during the late 19th century. Created by renowned political cartoonist Thomas Nast, this artwork serves as a symbol of protest against the control exerted by these trusts over essential goods and services. In this thought-provoking image, we see a towering statue resembling Lady Liberty standing on a pedestal. However, instead of holding her torch high in triumph, she appears to be sinking into murky waters. This symbolic portrayal represents how the rights and freedoms cherished by Americans are being undermined by monopolies. Nast's use of vivid imagery highlights his opposition to capitalism gone awry during what was known as the Gilded Age. The rising figures surrounding Lady Liberty represent usurpers who have gained immense power through their control over commerce and industry. These figures embody various trusts that dominated sectors such as oil, railroads, and steel at that time. This anti-trust cartoon serves as both a historical artifact and an enduring reminder of America's fight for economic justice. It reminds us that even in times when corporate interests seem insurmountable, there will always be individuals like Nast who use art to challenge oppressive systems and advocate for fairness in society.
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