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Metal Print : LONDON: UNLOADING TEA, 1867. Unloading Tea-Ships in the East India Docks. Wood engraving, English, 1867

LONDON: UNLOADING TEA, 1867. Unloading Tea-Ships in the East India Docks. Wood engraving, English, 1867



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LONDON: UNLOADING TEA, 1867. Unloading Tea-Ships in the East India Docks. Wood engraving, English, 1867

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7545061

1867 British Raj Cart Container Dock East East India Company Import India Ship Shipping Thames River Unloading East Indiaman


16"x20" (51x41cm) Metal Print

Step back in time with our stunning Metal Print of 'London: Unloading Tea, 1867' from Media Storehouse. This captivating wood engraving, originally from The Granger Collection, transports you to the bustling East India Docks of London during the height of the British tea trade. Witness the intricate details of the tea ships and the hive of activity as tea is unloaded and prepared for distribution. Our high-quality Metal Print brings this historic image to life, adding a unique and elegant touch to any room. Experience the rich history of London's tea trade tradition with this beautiful work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print titled "LONDON: UNLOADING TEA, 1867" takes us back in time to witness a bustling scene at the East India Docks. The wood engraving, created by an English artist in 1867, beautifully captures the essence of this significant moment in history. In the heart of London's docklands, we see workers diligently unloading tea-ships from the renowned East India Company. Each worker plays a crucial role in carefully transferring crates filled with precious cargo onto waiting carts. The sheer magnitude of activity is awe-inspiring as men navigate through stacks of wooden containers amidst a backdrop of towering ships on the Thames River. The image transports us to an era when Britain was at its zenith as a global trading power. It symbolizes not only the importation of tea but also represents the vast network connecting British Raj with its colonies in Asia. This snapshot encapsulates both labor and commerce intertwined within one frame. As we observe this historic scene, it becomes apparent that this image holds immense cultural significance beyond just commercial use. It offers insight into daily life during colonial times, highlighting how trade shaped relationships between nations and influenced economies worldwide. The Granger Collection has masterfully preserved this remarkable piece of art for future generations to appreciate and reflect upon our shared human history.

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