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Metal Print : PHYSIOGNOMY, 1658. The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia

PHYSIOGNOMY, 1658. The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia



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PHYSIOGNOMY, 1658. The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia

PHYSIOGNOMY, 1658.
The forehead of a poisoner. Woodcut from Geronimo Cardanos Metoposcopia, 1658

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12407310

1658 Geronimo Hieronymus Jerome Metoposcopia Physiognomy Prisoner Cardano


16"x20" (51x41cm) Metal Print

Discover the intriguing world of physiognomy with our Media Storehouse Metal Prints featuring the iconic image, "The Forehead of a Poisoner," from Geronimo Cardano's Metoposcopia (1658). This captivating woodcut showcases the ancient practice of interpreting character and temperament from physical features. Add an air of mystery and intrigue to your space with this unique and thought-provoking piece. Our high-quality Metal Prints are known for their vibrant colors, rich detail, and long-lasting durability. Order yours today and bring a touch of history and artistry to your home or office.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This intriguing print captures the essence of physiognomy, a 17th-century pseudoscience that aimed to determine a person's character and personality based on their facial features. The woodcut, taken from Geronimo Cardano's Metoposcopia published in 1658, specifically focuses on the forehead of a poisoner. The image showcases the intricate details of this ancient art form, highlighting the significance placed on specific facial attributes. The subject's forehead is depicted with precision and depth, revealing subtle lines and contours that supposedly indicate sinister intentions or deceitful nature. Geronimo Cardano, an Italian scholar known for his contributions to mathematics and medicine, delved into physiognomy as part of his broader exploration of human behavior. This particular woodcut exemplifies his dedication to understanding criminal tendencies through physical appearance. The presence of a moustache adds another layer to the interpretation of this portrait. In historical context, moustaches were often associated with masculinity and power; however, in this case, it may symbolize deception or disguise. As we gaze upon this artwork from centuries past, we are reminded not only of humanity's fascination with unraveling mysteries but also how our perceptions have evolved over time. While physiognomy has long been discredited as a scientific practice today due to its lack of empirical evidence and reliance on stereotypes, it remains an important artifact showcasing our ancestors' attempts at understanding human nature through visual cues alone.

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