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Metal Print : VELOCIPEDE, 1914. George C. Maynard, curator of technology at the United States National Museum

VELOCIPEDE, 1914. George C. Maynard, curator of technology at the United States National Museum



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VELOCIPEDE, 1914. George C. Maynard, curator of technology at the United States National Museum

VELOCIPEDE, 1914.
George C. Maynard, curator of technology at the United States National Museum, posing with an old velocipede, or boneshaker, outside the east entrance of the Arts and Industries Building at the Smithsonian Institution in Washington, D.C. Photographed in 1914

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12402732

1914 Antique Bow Tie Concrete Doorway Gate George Maynard Museum Northeast Smithsonian Suit Technology Velocipede Washington D C Washington Dc Wheel Wrought Iron Colton Curator National Museum


16"x20" (51x41cm) Metal Print

Step back in time with our exclusive Media Storehouse Metal Print featuring George C. Maynard, the esteemed curator of technology at the United States National Museum. In this captivating image, Maynard proudly poses next to a vintage velocipede, also known as a boneshaker, from 1914. This Metal Print brings the history of transportation to life with its vibrant colors and exceptional detail, making it an excellent addition to any home or office decor. Experience the rich history of technology through this unique and intriguing piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
In this photograph from 1914, we see George C. Maynard, the esteemed curator of technology at the United States National Museum, proudly posing with an old velocipede. Standing outside the east entrance of the Arts and Industries Building at the Smithsonian Institution in Washington, D. C. , Maynard exudes a sense of authority and knowledge as he stands confidently beside this early form of transportation. The antique velocipede itself is a remarkable sight to behold. Known as a "boneshaker" due to its rigid frame and lack of suspension, it represents an important milestone in the evolution of bicycles. Its large front wheel and smaller rear wheel are made apparent in this portrait, showcasing both its unique design and technological advancements for its time. Maynard's distinguished appearance adds another layer to this intriguing image. With his well-groomed beard, neatly tied bow tie, and impeccably tailored suit, he embodies professionalism while also hinting at his passion for history and innovation. This photograph serves as a testament to Maynard's dedication to preserving our technological heritage through his work as curator. It captures not only an iconic piece from America's past but also pays tribute to those who tirelessly strive to safeguard our cultural artifacts for future generations.

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