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Metal Print : January, 1951. Creator: Shirley Markham
Metal Prints from Heritage Images
January, 1951. Creator: Shirley Markham
January, 1951. Design for a calendar. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
Heritage Images features heritage image collections
Media ID 18265995
© Shirley Markham Collection / Heritage-Images
1950s Calendar Fifties January Markham Month Post Box Rain Raining Retro Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite Street Corner Umbrella Umbrellas Waite
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print featuring a captivating design from January, 1951, created by acclaimed graphic artist Shirley Markham. This vintage calendar illustration, sourced from Heritage Images, showcases the elegance and charm of a bygone era. The high-quality Metal Print process brings out the intricate details and vibrant colors, making it a stunning addition to any room in your home or office. Relive the magic of the past with this unique and timeless piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "January, 1951" showcases the exceptional talent of Shirley Markham. A student of Graphic Design and Illustration at London's Central School of Art from 1950 to 1952, Markham was fortunate enough to be mentored by the renowned writer, artist, poet, and illustrator Mervyn Peake. Her artistic style drew inspiration from esteemed British illustrators like Edward Ardizzone, Quentin Blake, and Edward Bawden. During her time in Italy's Dolomite Mountains and Rome, Markham sketched classical buildings that would later influence her work. After graduating from Central School of Art, she embarked on a successful career as a graphic designer. Her expertise extended to book illustrations, comics' cartoons menus for restaurants and programs for various events. However promising her career may have been though when she married in 1957 societal expectations dictated that middle-class women focus their energies on raising children and managing household affairs. Regrettably influenced by these norms despite her evident talent Markham abandoned illustration altogether. For years her remarkable portfolio remained hidden away in the family attic until now. Today we are privileged to witness the publication of her work for the first time—a testament to both her skill as an artist and the unfortunate limitations imposed upon women during that era. This print serves as a reminder not only of Markham's immense potential but also sheds light on the struggles faced by countless talented women whose creativity was stifled by societal pressures
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