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Metal Print : Au Hanneton, c. 1898, (1946). Artist: Henri de Toulouse-Lautrec
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Au Hanneton, c. 1898, (1946). Artist: Henri de Toulouse-Lautrec
Au Hanneton, c.1898, (1946). At the Hanneton ; a woman sitting alone at a table at Le Hanneton, one of several women-owned Parisian cafUs that catered for an almost exclusively female and lesbian clientele. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
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Media ID 14989108
© The Print Collector
Cafe Chase Edward T Edward T Chase Henri De Henri De Toulouse Henri De Toulouse Lautrec Henri Marie Raymond De Homosexual Homosexuality Lautrec Lesbian Lesbianism Parisian Toulouse Lautrec Toulouse Lautrec Monfa Impressionist
16"x20" (51x41cm) Metal Print
Bring the enchanting world of Parisian café culture into your home with our stunning Metal Print of Au Hanneton by Henri de Toulouse-Lautrec. Captured in 1898, this iconic image showcases a woman sitting alone at a table at Le Hanneton, a popular women-only café. The rich colors and vibrant details of this timeless piece are beautifully preserved in our high-quality Metal Print, creating a captivating work of art that is sure to be a conversation starter. Experience the allure of Paris through the eyes of this legendary artist with our durable and modern Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this black and white lithograph titled "Au Hanneton, c. 1898" we are transported to the vibrant atmosphere of Le Hanneton, a women-owned café in Paris during the late 19th century. The artist behind this masterpiece is none other than Henri de Toulouse-Lautrec, renowned for his impressionist style and ability to capture moments of everyday life. The scene depicts a solitary woman seated at a table, her gaze fixed on something beyond our view. Surrounded by an almost exclusively female clientele, Le Hanneton was known as a gathering place for lesbians and provided them with a safe haven where they could freely express their identities. Toulouse-Lautrec's attention to detail brings the ambiance of the café to life; from the dimly lit bar in the background to the delicate lines that define each figure present. Through his masterful strokes, he not only showcases his artistic prowess but also sheds light on marginalized communities within society. This print serves as both an exquisite piece of art and a historical document capturing an important moment in time. It reminds us of the diversity that has always existed within human experiences and celebrates those who found solace and camaraderie in places like Le Hanneton. As we admire this work, let us appreciate Toulouse-Lautrec's contribution to art history while acknowledging its significance in representing underrepresented voices from different eras.
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