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Metal Print : Banting in the Yeomanry, 1865. Artist: Charles Samuel Keene
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Banting in the Yeomanry, 1865. Artist: Charles Samuel Keene
Banting in the Yeomanry, 1865. The Troop-Sergeant Major says It comes to this, Captain, A Mun E ther Hev a New Jacket or Knock Off One O My Meals! A large Yeomanry Officer tells his captain that unless he receives a larger jacket, he will be forced to forego one of his meals. From Punch, or the London Charivari, July 15, 1865
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Media ID 14830716
© The Print Collector / Heritage-Images
Charles Samuel Charles Samuel Keene Heritage Image Partnership Keene Stomach Yeoman
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Metal Prints featuring the iconic image of Banting in the Yeomanry, 1865, by renowned artist Charles Samuel Keene. This captivating piece, titled "The Troop-Sergeant Major says It comes to this, Captain, A Mun E ther Hev a New Jacket or Knock Off One O My Meals," is a stunning representation of military life during the Victorian era. Each Metal Print is meticulously crafted to bring out the rich details and vibrant colors of the original artwork, making it a beautiful addition to any home or office decor. Order now and relive the past with this timeless masterpiece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this satirical 19th-century engraving titled "Banting in the Yeomanry, 1865" artist Charles Samuel Keene captures a comical moment within the military ranks. The scene depicts a large Yeomanry Officer confronting his captain about the size of his jacket. With a hint of exaggeration, the Troop-Sergeant Major humorously states, "It comes to this, Captain, A Mun E ther Hev a New Jacket or Knock Off One O My Meals!". The image is rich with symbolism and social commentary. The officer's prominent stomach represents excess and indulgence while highlighting the stark contrast between his privileged position and those struggling to make ends meet. By threatening to forego one meal if he doesn't receive a larger jacket, he highlights both his own gluttony and the economic disparities prevalent at that time. Keene's use of black and white adds depth to this satire by emphasizing contrasts between light and shadow. Through clever caricature techniques, he portrays exaggerated features on both characters' faces, enhancing their personalities. This print from Punch magazine reflects societal issues through humor during an era marked by significant political changes in Britain. It serves as a reminder that even within esteemed institutions like the military, there were individuals who exploited their positions for personal gain while others suffered hardships. Overall, Keene's artwork provides us with an amusing glimpse into historical attitudes towards wealth inequality and excess during the late 19th century.
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