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Metal Print : The Birth of Galatea, 1885. Creator: Charles William Campbell

The Birth of Galatea, 1885. Creator: Charles William Campbell



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The Birth of Galatea, 1885. Creator: Charles William Campbell

The Birth of Galatea, 1885. Greek mythology: ivory statue carved by Pygmalion of Cyprus, which came to life

Heritage Images features heritage image collections

Media ID 36262889

© Heritage Art/Heritage Images

Alive Artistic Style Burne Jones Edward Burne Jones Edward Coley Burne Jones Sir Edward Coley Dove Doves Edward Burne Jones Edward Coley Burne Jones Enchanted Enchantment Galatea Magic Mezzotint Mythical Figure Mythological Figure Pre Raphaelite Pre Raphaelite Brotherhood Sir Edward Burne Jones Sir Edward Coley Burne Jones Greek Mythology


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of Charles William Campbell's 'The Birth of Galatea' to your home with our Media Storehouse Metal Prints. This exquisite 1885 work of art, inspired by Greek mythology, depicts the moment when Pygmalion's ivory sculpture of Galatea comes to life. Our high-quality metal prints are not just a canvas, they are a work of art in themselves. The vibrant colors and stunning details are brought to life through the unique process of dye-sublimation printing on aluminum. Each print is waterproof, scratch-resistant, and UV-protected, ensuring your investment remains as breathtaking as the day it arrived. Elevate your decor and add a touch of mythological magic to your space with this captivating piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Doves > Black Dove

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Bird

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > C > William Charles

> Arts > Artists > Edward Burne-Jones > Mythological art

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones

> Arts > Artists > W > Charles White


EDITORS COMMENTS
The Birth of Galatea" is a captivating mezzotint on ivory wove paper, created by the renowned British artist Charles William Campbell in 1885. This monochrome masterpiece is based on the ancient Greek mythology tale of Pygmalion, a sculptor from Cyprus, who carved an ivory statue of a woman so beautiful that he fell in love with it. According to the myth, the statue came to life and became his wife, named Galatea. Campbell's interpretation of this mythological story is a visual feast for the eyes. In the image, Galatea is depicted as a full-length, naked figure, standing gracefully amidst a serene natural setting. Surrounding her are doves, symbols of enchantment and new life, adding to the magical atmosphere of the scene. The artist's Pre-Raphaelite style is evident in the meticulous attention to detail, with Galatea's delicate features and the intricate textures of the ivory paper. This artwork is a testament to the artistic school of the Pre-Raphaelite Brotherhood, which emphasized truth to nature and a return to the medieval period's artistic values. The image is a beautiful addition to any art centre, art gallery, or art institute's collection, showcasing the rich heritage of art from the 19th century. Edward Burne-Jones Coiley, a prominent figure in the Pre-Raphaelite movement, was a significant influence on Campbell's work, and his enchanting depiction of Galatea is a reminder of the timeless allure of Greek mythology and the power of art to bring mythical figures to life.

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