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Metal Print : C'est singulier comme ce miroir m'applatit... 1844. Creator: Honore Daumier
Metal Prints from Heritage Images
C'est singulier comme ce miroir m'applatit... 1844. Creator: Honore Daumier
C'est singulier comme ce miroir m'applatit... 1844. It's strange how this mirror flattens me. From Les Bas-bleus, no. 1
Heritage Images features heritage image collections
Media ID 36354368
© Heritage Art/Heritage Images
Bluestocking Body Image Bustle Cheval Glass Cheval Mirror Daumier Honore Daumier Honore Victorin Equality Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Looking Glass Mirror Misogynistic Misogyny Reflected Reflection Rights Sexism Sexist Thin Womens Rights Lithotint Parody Satirical
16"x20" (51x41cm) Metal Print
Experience the timeless artistry of Honore Daumier's "C'est singulier comme ce miroir m'applatit... 1844" (It's strange how this mirror flattens me) with our Media Storehouse Metal Prints. This captivating image, originally from Heritage Images, showcases Daumier's masterful use of line and form in this thought-provoking piece from his Les Bas-bleus series. Our high-quality Metal Prints bring out the rich details and vibrant colors of this iconic artwork, making it a stunning addition to any space. Embrace the unique beauty of this Honore Daumier masterpiece and elevate your home or office décor with a Metal Print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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C'est singulier comme ce miroir m'applatit...
EDITORS COMMENTS
or "It's strange how this mirror flattens me," is a poignant and thought-provoking lithograph created by the renowned French artist Honore Daumier in 1844. This piece is part of Daumier's series "Les Bas-bleus," which satirically explores the social and cultural norms of the time, particularly in relation to women and fashion. The image depicts a full-length reflection of a man, dressed in the fashion of the nineteenth century, gazing at himself in a cheval glass or "looking glass" mirror. The mirror, however, distorts his reflection, flattening him out and reducing him to a two-dimensional figure. This visual representation of the man's self-perception serves as a commentary on the societal pressure to conform to idealized body types and the role of fashion in shaping self-image. Despite the seemingly light-hearted and humorous tone, Daumier's work also carries a subtle critique of the misogynistic and sexist attitudes prevalent during the time. The title of the series, "Les Bas-bleus," refers to women who wore loose-fitting, high-waisted skirts and blouses, often associated with intellectual pursuits and the rejection of traditional feminine roles. The satirical portrayal of women in the series, along with the man's distorted reflection, highlights the societal double standard and the pressure on both men and women to conform to narrow beauty ideals. This powerful and thought-provoking piece, now part of the Los Angeles County Museum of Art's collection, continues to resonate with contemporary audiences, offering a glimpse into the complex social and cultural issues of the past and their relevance to the present. The black and white lithograph, with its intricate details and nuanced commentary, invites viewers to reflect on the enduring impact of fashion, body image, and societal expectations on our self-perception and identity.
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