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Metal Print : Charlecote Park, Warwickshire, home of the Lucy family, c1880
Metal Prints from Heritage Images
Charlecote Park, Warwickshire, home of the Lucy family, c1880
Charlecote Park, Warwickshire, home of the Lucy family, c1880. Charlecote was a manor house built in the 16th century. George Hammond Lucy set about restoring it to its original Elizabethan style after he inherited it in 1823. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris, Volume I, William Mackenzie, London, c1880. Wood-engraved plates after paintings by Benjamin Fawcett and Alexander Francis Lydon
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Media ID 14924804
© The Print Collector / Heritage-Images
Af Lydon Alexander Francis Lydon Alexander Lydon Benjamin Benjamin Fawcett Deer Elizabethan Fawcett Lydon Tudor Warwickshire Aristocrat Charlecote Charlecote Park Country House Print Collector8
16"x24" (61x41cm) Metal Print
Step into the past with our exquisite Metal Print of Charlecote Park, Warwickshire. This stunning image, captured around 1880, showcases the beautiful Elizabethan-style manor house as it once was, under the care of George Hammond Lucy. With its rich history and picturesque surroundings, Charlecote Park comes alive in this unique and vibrant Metal Print. Produced using premium metal sheets and high-definition imagery from Heritage Images, this print is not just a decorative piece, but a window into the past. Add a touch of history and elegance to your home with our Charlecote Park Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the magnificent Charlecote Park, Warwickshire, which was once the cherished home of the Lucy family. Built in the 16th century as a manor house, it exudes an air of aristocracy and grandeur. In this particular image dating back to around 1880, we witness George Hammond Lucy's dedication to restoring Charlecote Park to its original Elizabethan style after he inherited it in 1823. The print is part of a collection titled "A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland" edited by Reverend FO Morris. It features wood-engraved plates created by talented artists Benjamin Fawcett and Alexander Francis Lydon. As we gaze upon this enchanting scene, we are transported back in time to witness the splendorous exterior architecture surrounded by lush gardens. The vibrant colors bring life to every detail captured within this image – from the majestic deer roaming freely on the grounds to the intricate Tudor-style buildings that make up Charlecote Park. This photograph serves as a testament not only to British history but also highlights the beauty and significance of country houses during both the sixteenth and nineteenth centuries. It is a remarkable piece that allows us to appreciate both artistry and heritage simultaneously.
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