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Metal Print : Churchyard of Stoke-Pogis, England, 1893. Artist: John L Stoddard

Churchyard of Stoke-Pogis, England, 1893. Artist: John L Stoddard



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Churchyard of Stoke-Pogis, England, 1893. Artist: John L Stoddard

Churchyard of Stoke-Pogis, England, 1893. Thomas Grays Elegy Written in a Country Churchyard is believed to have been written in the churchyard of St Giles Church in Stoke Poges, Buckinghamshire. Illustration from Portfolio of Photographs of Famous Cities, Scenes and Paintings, (The Werner Company, Chicago, c1893)

Heritage Images features heritage image collections

Media ID 14934976

© The Print Collector / Heritage-Images

Buckinghamshire Churchyard Elegy Grave Graveyard Gray John L John L John Lawson John L Stoddard John Lawson Poem Spire St Giless Church Stoddard Thomas Gray Stoke Poges


16"x20" (51x41cm) Metal Print

Step into the past with our stunning Metal Print of Churchyard of Stoke-Pogis, England, 1893 by John L. Stoddard. This captivating image, sourced from Heritage Images, brings to life the beauty and tranquility of an English churchyard as depicted in Thomas Gray's famous poem, "Elegy Written in a Country Churchyard." The metal print process enhances the rich details and vibrant colors of this timeless photograph, creating a piece that is sure to become a cherished addition to your home or office decor. Immerse yourself in history and poetry with this exquisite work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > C > Thomas Churchyard

> Arts > Artists > G > Thomas Gray

> Arts > Artists > W > John White

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Rural countryside paintings > Country landscapes

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings

> Arts > Still life artwork > Landscape paintings

> Arts > Still life artwork > Still life art > Landscape artwork


EDITORS COMMENTS
This print takes us back to the Churchyard of Stoke-Pogis, England in 1893. The artist, John L Stoddard, beautifully captures the serene atmosphere of this historic location. It is believed that Thomas Gray wrote his renowned poem "Elegy Written in a Country Churchyard" right here, amidst the tombstones and ancient spire of St Giles Church. The image transports us to a bygone era, where rural life and rustic charm were intertwined with religious devotion. The monochrome tones highlight the timeless nature of this scene, evoking a sense of tranquility and contemplation. As we gaze upon this picturesque landscape, we are reminded of the power of literature to transcend time and place. Gray's elegy immortalizes not only the churchyard itself but also reflects on themes such as death, graveyards, and the beauty found in countryside settings. Stoke Poges emerges as an enchanting backdrop for these profound musings on life and mortality. This print serves as a visual testament to both artistic expression and spiritual introspection during the eighteenth century. With its rich historical context combined with Stoddard's skilled composition, this print invites us to delve into our own reflections on existence while appreciating the enduring beauty found within England's landscapes.

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