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Metal Print : Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the...", c. 1766. Creator: Suzuki Harunobu. Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the...", c. 1766. Creator: Suzuki Harunobu

Clearing Breeze from a Fan (Ogi no seiran), from the series 'Eight Views of the...', c. 1766. Creator: Suzuki Harunobu. Clearing Breeze from a Fan (Ogi no seiran), from the series 'Eight Views of the...', c. 1766. Creator: Suzuki Harunobu



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Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the...", c. 1766. Creator: Suzuki Harunobu. Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the...", c. 1766. Creator: Suzuki Harunobu

Clearing Breeze from a Fan (Ogi no seiran), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Heritage Images features heritage image collections

Media ID 36200447

© Heritage Art/Heritage Images

Attendant Boot Boots Breeze Carriage Boot Chuban Clearing Cooling Domestic Eight Views Of The Parlor Geta Hand Held Handheld Harunobu Harunobu Suzuki Heat Household Looking Down Olive Green Sandal Sandals Shoe Shoes Suzuki Harunobu Wind Windy Color Woodblock Print


16"x20" (51x41cm) Metal Print

Experience the captivating allure of Japanese art with our Media Storehouse Metal Print of "Clearing Breeze from a Fan (Ogi no seiran)" by Suzuki Harunobu. This stunning piece is taken from the series "Eight Views of the Parlor" and dates back to 1766. Harunobu's masterful use of color and intricate detailing bring the gentle breeze and the delicate fan to life. Our high-quality metal print preserves the vibrant hues and fine lines of this iconic woodblock print, making it a beautiful addition to any home or office. Embrace the rich history and artistry of Japanese culture with this exquisite piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Asia > Japan > Related Images


EDITORS COMMENTS
Clearing Breeze from a Fan" is a captivating woodblock print from the series "Eight Views of the Parlor" created by the renowned Japanese artist Suzuki Harunobu in the mid-18th century. The print showcases a refined female attendant, dressed in traditional Japanese clothing, standing in a serene domestic setting. She holds a handheld fan in her left hand, delicately brushing away the last remnants of a cooling breeze. The fan, adorned with intricate patterns of olive green and red, adds a pop of color to the otherwise monochromatic scene. The attendant wears a kimono in a muted olive green color, which complements the earthy tones of the parlor's interior. Her footwear consists of geta, traditional Japanese sandals, and a pair of carriage boots, which are a common sight in Japanese art of the time. The attendant's posture is poised and elegant, with her head slightly tilted down, suggesting a moment of quiet contemplation. The print is a prime example of the chuban format, a popular printing technique in Japan during the Edo period. Harunobu's masterful use of color woodblock printing techniques is evident in the intricate patterns and textures of the attendant's clothing and the parlor's decor. The print also showcases the artistic school's focus on the domestic, with its depiction of a tranquil scene from a Japanese household. This beautiful work of art, now housed in the Art Institute of Chicago, is a testament to the rich artistic heritage of Japan and the artistic ingenuity of Suzuki Harunobu. The print continues to captivate viewers with its timeless beauty and intricate details, making it a must-see for anyone interested in Japanese art, fashion, and history.

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