Metal Print : The Contrast 1793. British Liberty. French liberty. Which is best?, 1793. Creator: Rowlandson, Thomas (1756-1827)

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The Contrast 1793. British Liberty. French liberty. Which is best?, 1793. Creator: Rowlandson, Thomas (1756-1827)

The Contrast 1793. British Liberty. French liberty. Which is best?, 1793. Found in the collection of the Bibliotheque Nationale de France

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Media ID 36227281

© Fine Art Images/Heritage Images

1793 Bibliotheque Nationale De France Copper Engraving Watercolour French Revolution Great Britain Rowlandson Copper Engraving

16"x20" (51x41cm) Metal Print

Experience the historical tension between two great nations with our Media Storehouse Metal Print of Thomas Rowlandson's iconic work, "The Contrast 1793: British Liberty. French Liberty. Which is Best?" This thought-provoking image, published in 1793, captures the essence of the French Revolution and the contrasting ideals of liberty between Britain and France. Featuring intricate details and vibrant colors, this Metal Print is a must-have for history enthusiasts and art collectors alike. With its high-quality, durable metal surface, this print is not only a beautiful addition to your home or office decor but also a lasting investment. Bring a piece of history into your space with Media Storehouse's Metal Print of "The Contrast 1793.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Thomas Rowlandson

> Arts > Watercolor paintings

EDITORS COMMENTS
is a thought-provoking and satirical print by the renowned English artist Thomas Rowlandson. Created during the height of the French Revolution, this copper engraving with watercolor highlights the stark contrast between the perceived notions of freedom in Great Britain and France at that time. The print depicts two figures, each representing the ideals of their respective nations. On the left, a well-dressed British gentleman, symbolizing order and stability, stands confidently with a top hat in hand, while on the right, a disheveled Frenchman, embodying chaos and anarchy, clutches a bottle of wine and brandishes a pistol. In the background, the British scene is serene, with people going about their daily business, while the French scene is chaotic, with rioters burning buildings and looting shops. The title of the print, "British Liberty. French liberty. Which is best?", poses a provocative question that would have resonated with the public during the time of the French Revolution. Rowlandson's use of satire and irony invites the viewer to reflect on the meaning of liberty and the potential consequences of revolutionary fervor. This print is a significant historical artifact, reflecting the anxieties and uncertainties of the time. It is a testament to the power of art to provoke thought and spark debate, and a reminder of the complexities of the concepts of freedom and liberty. The print is now part of the esteemed collection of the Bibliotheque Nationale de France, a treasure trove of fine art images that chronicle the rich history of France and the world.

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