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Metal Print : Cromwell House on Highgate Hill, A Mansion of the Seventeenth Century, c1935. Creator
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Cromwell House on Highgate Hill, A Mansion of the Seventeenth Century, c1935. Creator
Cromwell House on Highgate Hill, A Mansion of the Seventeenth Century, c1935. Large house in north London, built in 1638. John Ireton, the brother of Oliver Cromwells favourite son-in-law, briefly lived in nearby Lauderdale House. This led to the building being known as Cromwell House in the early 19th century. In fact, Oliver Cromwell had no connection with the house. From " Wonderful London, Volume 3", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]
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Media ID 18323838
© The Print Collector/Heritage Images
Adcock Arthur St John Arthur St John Adcock Donald Donald Mcleish Gate Gates Highgate Highgate Hill John Adcock Mcleish Step Steps Wonderful London Cromwell House
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print featuring Cromwell House on Highgate Hill, a seventeenth-century mansion nestled in the heart of north London. Built in 1638, this historic residence holds a rich history as the brother-in-law of Oliver Cromwell's favorite son-in-law, John Ireton, once called it home. Our Metal Prints bring heritage to life with their vibrant colors and stunning detail, making this captivating image a beautiful addition to any space. Preserve the history of this remarkable building with our high-quality, long-lasting Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the grandeur of Cromwell House on Highgate Hill, a magnificent mansion from the seventeenth century. Built in 1638, this large house in north London has a fascinating history. Contrary to popular belief, Oliver Cromwell had no connection with the house. However, John Ireton, brother of Oliver Cromwell's favorite son-in-law, briefly resided in nearby Lauderdale House. This association led to the building being known as Cromwell House in the early nineteenth century. The image showcases the architectural beauty of this historic structure against a backdrop of lush greenery. The imposing entrance gate stands tall at the forefront while a flight of steps leads up to it. The monochrome effect adds an air of nostalgia and timelessness to this snapshot from Wonderful London Volume 3. Photographed by Donald McLeish and featured in Arthur St John Adcock's publication, this picture offers us a glimpse into London's rich heritage and its captivating cityscape during the 1930s. It serves as a reminder that behind every landmark lies stories waiting to be discovered. As we admire this stunning piece of British architecture, let us appreciate how historical narratives can shape our perception of places and remind us that even misconceptions can add layers of intrigue to our understanding of these remarkable structures.
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