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Metal Print : Degenerate Days!!, 1874. Artist: Joseph Swain

Degenerate Days!!, 1874. Artist: Joseph Swain



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Degenerate Days!!, 1874. Artist: Joseph Swain

Degenerate Days!!, 1874. A publican and his customer discuss the forthcoming General Election. After being in power since 1868, the Liberal Prime Minister, Gladstone, had called the Election for 5th March 1874. He did not formally tender his resignation to Queen Victoria until mid February and, for the first time, the procedures put in place by the new Ballot Act were to be tried and tested. One of the procedures provided for a secret method of voting which was designed to rid the system of the rampant corruption that had previously been associated with candidates buying of votes. From Punch, or the London Charivari, February 14, 1874

Heritage Images features heritage image collections

Media ID 14831251

© The Print Collector / Heritage-Images

Apron Beaconsfield Benjamin Benjamin Disraeli Customer Disraeli Dizzy Earl Of Beaconsfield General Election Gladstone Heritage Image Partnership John Tenniel Joseph Swain Landlord Lord Lord Beaconsfield Political Event Public House Publican Queen Of Great Britain And Ireland Queen Victoria Rosette Sir John Tenniel Swain Talking Tavern Tenniel Top Hat Victoria Viscount Hughendon Of Hughendon Voter Voting William Ewart William Ewart Gladstone


16"x20" (51x41cm) Metal Print

Bring history to life with Media Storehouse's Metal Prints featuring "Degenerate Days!!", an iconic image from Heritage Images. This captivating artwork, created by Joseph Swain under the guidance of Benjamin Disraeli and John Tenniel, depicts a heated conversation between a publican and his customer about the upcoming 1874 General Election and the political climate during the tenure of Liberal Prime Minister, William Ewart Gladstone. Experience the rich details and vibrant colors of this classic piece as it transforms your space into a gallery, with the added durability and modern appeal of a metal print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Animals > Mammals > Nesomyidae > Fat Mouse

> Architecture > Great Houses

> Arts > Artists > I > William Ireland

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Arts > Artists > Related Images

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art


Degenerate Days!!, 1874 - A Snapshot of Political Conversations in a Victorian Pub

EDITORS COMMENTS
. In this print, we are transported back to the vibrant political atmosphere of 19th century Britain. The scene unfolds within the cozy confines of an inn, where a publican and his customer engage in a lively discussion about the forthcoming General Election. As the Liberal Prime Minister, William Ewart Gladstone, prepares to relinquish power after six years at the helm, anticipation fills the air. The election is scheduled for March 5th, 1874, marking an important moment in British history as it will be one of the first tests of newly implemented voting procedures under the Ballot Act. The artist Joseph Swain masterfully captures this pivotal period with satire and caricature. His detailed engraving showcases various elements that define this era – from top-hatted gentlemen engaged in conversation to political rosettes adorning their lapels. While focusing on these two men engrossed in debate, Swain also subtly hints at other key figures who shaped Victorian politics. Queen Victoria herself looms above them all as she awaits Gladstone's formal resignation before granting her approval for new leadership. Through this remarkable heritage image partnership between Benjamin Disraeli (Earl of Beaconsfield), John Tenniel (Sir John Tenniel), and Joseph Swain himself; we are given a glimpse into a time when politics permeated every aspect of society – even conversations over pints at local taverns like this one.

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