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Metal Print : Dr. Dollinger, c1890

Dr. Dollinger, c1890



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Dr. Dollinger, c1890

Dr. Dollinger, c1890. Johann Joseph Ignaz von Dollinger (1799 -1890), also Doellinger in English, was a German theologian, Catholic priest and church historian who rejected the dogma of papal infallibility. After a photograph of F. Muller. From Cassells History of England, Vol. VI. by John Cassell. [A. W. Cowan, Cassell & Company Limited, London, Paris, Melbourne, c1890]

Heritage Images features heritage image collections

Media ID 14978825

© The Print Collector

Aw Cowan Cassell Co Cassell Company Cassells History Of England Cowan Historian John Cassell Priest Theologian Theology York Son Cassell Cassell And Company Ltd Dollinger Roman Catholicism


16"x20" (51x41cm) Metal Print

Bring history to life with our exquisite Metal Prints featuring Dr. Johann Joseph Ignaz von Dollinger, the renowned 19th-century German theologian. This premium metal print showcases the captivating image of Dr. Dollinger from Heritage Images, expertly transferred onto a durable aluminum sheet. The vibrant colors and exceptional clarity of the print are sure to impress, while the sleek, modern metal surface adds a contemporary twist to this timeless image. A perfect addition to any home or office, this Metal Print is not only a beautiful piece of art but also a testament to the rich historical legacy of Dr. Dollinger.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Roman Roman

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > Related Images

> Europe > United Kingdom > England > York


EDITORS COMMENTS
This print showcases Dr. Dollinger, a prominent figure in German history during the late 19th century. Johann Joseph Ignaz von Dollinger, known for his theological expertise and Catholic priesthood, is depicted here with a warm smile on his face. Despite his religious background, Dr. Dollinger gained notoriety for rejecting the dogma of papal infallibility. The photograph was taken by F. Muller and featured in Cassells History of England, Vol. VI. , an esteemed publication by John Cassell. The image captures the essence of Dr. Dollinger's intellectual prowess and dedication to challenging established beliefs within Catholicism. In this portrait, we witness a man deeply rooted in his faith yet unafraid to question its doctrines—a concept that resonates even today. His contribution as a theologian and historian has left an indelible mark on Germany's religious landscape. Dr. Dollinger stands as a symbol of courage and critical thinking amidst societal expectations—an embodiment of the power of individual thought within Christianity during the 19th century. This engraving serves as both a historical artifact and an artistic representation of one man's journey through faith and academia—captivating viewers with its timeless charm while reminding us that questioning established norms can lead to profound change in our world.

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