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Metal Print : Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708

Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708



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Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708

Heritage Images features heritage image collections

Media ID 24375128

© Heritage Art/Heritage Images

Aquatic Life Carp Courtesan Feeling Fish Fishes Genpachi Groping Harassment Masanobu Okumura Oban Sumizuri E Okumura Masanobu Okumura Shinmyo Samisen Sexual Harassment Shamisen


16"x20" (51x41cm) Metal Print

Experience the allure of Japanese art with our exquisite Metal Print of 'Ebisu Flirting with a Courtesan, No. 3' by Okumura Masanobu, c. 1708 from Heritage Images. This captivating print showcases the playful interaction between the god of fishermen, Ebisu, and a beautiful courtesan. The intricate details and vibrant colors come alive on our high-quality metal print, adding a touch of elegance and sophistication to any space. With its durable and waterproof surface, this metal print is not only a stunning work of art but also a long-lasting investment. Bring a piece of rich cultural history into your home or office with our Metal Print of 'Ebisu Flirting with a Courtesan, No. 3' by Okumura Masanobu.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > A > Asian Carps

> Animals > Fishes > C > Carp

> Animals > Fishes > Related Images

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > M > Okumura Masanobu

> Arts > Artists > O > Masanobu Okumura

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
This print, titled "Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708" takes us back to the vibrant world of Edo period Japan. Created by renowned artist Okumura Masanobu, this woodblock print is an exquisite example of ukiyo-e art. The scene depicts Ebisu, one of the Seven Lucky Gods in Japanese folklore, engaging in playful flirtation with a courtesan. The delicate gestures and expressions captured in this artwork convey a sense of intrigue and romance that was prevalent during the Tokugawa period. Masanobu's attention to detail is evident as he skillfully portrays the flowing robes and intricate hairstyles characteristic of the era. The use of sumizuri-e technique adds depth and texture to the composition while maintaining its monochromatic beauty. The presence of musical instruments such as shamisen (samisen) further enhances the atmosphere, suggesting that music played an integral role in these encounters between men and women. While it is important to acknowledge that some elements depicted here may be seen as sexual harassment by today's standards, it is crucial to view this artwork within its historical context rather than imposing modern interpretations on it. As we admire this remarkable piece at the Art Institute Chicago or any other art center fortunate enough to house it, we are transported back in time to experience both the artistic mastery of Masanobu and gain insight into life during eighteenth

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