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Metal Print : Elizabeth Dauncey, 1526-1527 (1945). Artist: Hans Holbein the Younger

Elizabeth Dauncey, 1526-1527 (1945). Artist: Hans Holbein the Younger



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Elizabeth Dauncey, 1526-1527 (1945). Artist: Hans Holbein the Younger

Elizabeth Dauncey, 1526-1527 (1945). Elizabeth Dauncey (nee More) (1506-1564), Second daughter of Sir Thomas More; wife of William Dauncey. The drawing is part of the Royal Collection Trust, Windsor Castle. From The Drawings of Holbein at Windsor Castle by K. T. Parker. [The Phaidon Press Ltd, Oxford & London, 1945]

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Media ID 14984117

© The Print Collector

Art Collection Black Chalk Bonnet Elizabeth Hans Hans Holbein Hans Holbein The Younger Holbein Holbein The Younger Kt Parker Northern Renaissance Parker Phaidon Press Royal Collection Trust Sir Thomas Sir Thomas More Thomas More Tudor


16"x20" (51x41cm) Metal Print

Bring history to life with our exquisite Metal Prints featuring the captivating portrait of Elizabeth Dauncey, painted by the masterful Hans Holbein the Younger in 1526-1527. This iconic image showcases Elizabeth, the second daughter of Sir Thomas More and future wife of William Dauncey, in stunning detail. Our high-quality Metal Prints not only preserve the intricate textures and vibrant colors of this Heritage Image but also add a contemporary twist with their sleek, modern design. Transform your space into a gallery and relive the past with this beautiful work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Arts > Art Movements > Renaissance Art

> Arts > Artists > H > Hans Holbein the Younger

> Arts > Artists > W > William White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > United Kingdom > England > London > Royalty

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This print showcases the timeless beauty of Elizabeth Dauncey, a prominent figure from the 16th century. Created by renowned artist Hans Holbein the Younger, this exquisite drawing is now part of the esteemed Royal Collection Trust at Windsor Castle. Elizabeth Dauncey, formerly known as Elizabeth More, was born in 1506 and lived until 1564. She was the second daughter of Sir Thomas More, a highly respected statesman and philosopher during the Tudor era. This portrait captures her delicate features with remarkable precision and detail. Dressed in elegant Renaissance attire, Elizabeth wears a stylish bonnet that frames her face gracefully. The intricate lines drawn with black chalk bring out every contour and expression on her profiled visage. Her eyes seem to hold secrets from centuries past, inviting us to delve into her intriguing story. Hans Holbein's masterful technique transports us back to an era of opulence and refinement. Through his artistry, he immortalizes not only Elizabeth Dauncey but also an entire epoch characterized by cultural richness. As we gaze upon this monochrome masterpiece from 1945, we are reminded of the enduring power of art to transcend time and connect us with our historical heritage. It serves as a testament to both Holbein's talent as well as Elizabeth Dauncey's significance within British history.

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