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Metal Print : The Emancipation of the Russian Serfs (Study for The Slav Epic), 1914. Artist: Mucha, Alfons Marie (1860-1939)
Metal Prints from Heritage Images
The Emancipation of the Russian Serfs (Study for The Slav Epic), 1914. Artist: Mucha, Alfons Marie (1860-1939)
The Emancipation of the Russian Serfs (Study for The Slav Epic), 1914. Found in the collection of the National Gallery, Prague
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Media ID 14893362
© Fine Art Images
Alfons Marie 1860 1939 Czechia Emancipation Of The Serfs Exploitation Feudal Feudalism Landlord Landowners Landownership Mucha Nobility Peasant Peasants Russian History Russian Nobility Serf Serfdom Serfs Vassal Watercolour On Paper
16"x20" (51x41cm) Metal Print
Experience the captivating artistry of Alfons Mucha with our Media Storehouse Metal Prints. This exquisite piece, titled "The Emancipation of the Russian Serfs (Study for The Slav Epic)," showcases Mucha's masterful use of line and color. Originally created in 1914, this study is now part of the National Gallery's collection in Prague. Bring the rich history and timeless beauty of this artwork into your home or office with our high-quality Metal Prints, meticulously crafted to bring out the vibrant colors and intricate details of Mucha's work. Each print is printed on a lightweight, yet durable aluminum sheet, providing a sleek and modern look that adds depth and dimension to your space. Order yours today and let the art of Alfons Mucha inspire and captivate you every day.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Emancipation of the Russian Serfs (Study for The Slav Epic), 1914
EDITORS COMMENTS
by Alfons Marie Mucha is a captivating artwork that delves into the complex history of Russia during the era of serfdom. In this thought-provoking print, Mucha skillfully captures the essence of a society divided between oppressive landlords and exploited peasants. The image portrays a powerful scene where a group of peasants, burdened by their feudal obligations, stand in stark contrast to the opulent figures representing the nobility. Through his meticulous use of watercolor on paper, Mucha brings to life the struggle and resilience of these serfs yearning for freedom. This study serves as an important precursor to Mucha's renowned series "The Slav Epic" which aimed to celebrate Slavic culture and history. By focusing on such pivotal moments like emancipation, he sheds light on Russia's turbulent past while advocating for social justice. With its intricate details and masterful composition, this artwork invites viewers to reflect upon themes such as exploitation, landownership, and societal hierarchies. It serves as both a historical document and an artistic testament to human perseverance in challenging times. Displayed at the National Gallery in Prague, this piece stands as a reminder of how art can be used not only for aesthetic pleasure but also as a means to shed light on significant chapters in our collective history.
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