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Metal Print : Eragny Press: Opening Page of Coleridges Christabel, 1895-1914. Artist: Lucien Pissaro
Metal Prints from Heritage Images
Eragny Press: Opening Page of Coleridges Christabel, 1895-1914. Artist: Lucien Pissaro
Eragny Press: Opening Page of Coleridges Christabel, 1895-1914. Illustrated page from a late 19th-early 20th century publication showing an extract from the long narrative poem Christabel by Samuel Taylor Coleridge (1772-1834). From The Art of the Book edited by Charles Holme. [The Studio, Ltd. London, Paris, New York, 1914]
Heritage Images features heritage image collections
Media ID 14988274
© The Print Collector
Christabel Coleridge Lucien Poem Samuel Taylor Samuel Taylor Coleridge Typeface Graphic Design Pissaro
16"x24" (61x41cm) Metal Print
Bring the enchanting world of the Eragny Press to your home with our Media Storehouse Metal Prints. This exquisite piece features the opening page of Coleridge's "Christabel," illustrated by Lucien Pissaro from Heritage Images. Dated between 1895 and 1914, this illustrated page is a captivating example of the unique and intricate designs produced by the Eragny Press. Our high-quality Metal Prints bring out the rich details and vibrant colors of this rare and beautiful work, making it a stunning addition to any room. Preserve this piece of literary and artistic history in your home with our durable and long-lasting Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the opening page of Samuel Taylor Coleridge's renowned poem, Christabel. Created between 1895 and 1914 by artist Lucien Pissaro for the Eragny Press, this illustrated page exemplifies the artistic beauty of late 19th to early 20th-century publications. The image captures a moment from Coleridge's long narrative poem, depicting an extract that draws readers into its enchanting world. The vibrant colors and intricate design reflect the Victorian era's penchant for ornate aesthetics while maintaining a sense of elegance and sophistication. The meticulous lettering and typeface further enhance the visual appeal, showcasing the attention to detail prevalent in graphic design during this period. This print is not just a representation of literature but also a testament to the artistry involved in book printing. Published in The Art of the Book edited by Charles Holme in 1914, this piece serves as both an homage to Coleridge's timeless poetry and a celebration of artistic expression within literature. It transports viewers back to a time when printed works were treasured possessions, cherished for their craftsmanship as much as their content. As we admire this exquisite print today, we can appreciate how it encapsulates multiple centuries' worth of creativity – from Coleridge's poetic genius to Pissaro's artistic interpretation. It stands as a reminder that great literature has always been intertwined with visual artistry throughout history.
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