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Metal Print : Finding The Colours of the 24th Regiment After The Battle of Chilianwallah, January 1849
Metal Prints from Heritage Images
Finding The Colours of the 24th Regiment After The Battle of Chilianwallah, January 1849
Finding The Colours of the 24th Regiment After The Battle of Chilianwallah, January 1849. The Battle of Chillianwala, in the Chillianwala region of Punjab, India, (now Mandi Bahauddin, Pakistan), was fought in January 1849 during the Second Anglo-Sikh War. The battle, between the British East India Company and the Sikh Empire, was a bloody one. Both armies held their positions at the end of the battle and both sides claimed victory. [The London Printing and Publishing Company, London]
Heritage Images features heritage image collections
Media ID 18386146
© The Print Collector/Heritage Images
Anglo Sikh War Colours Dead Body East India Company H Warren J Rogers Killing London Printing And Publishing Co London Printing And Publishing Co Ltd London Printing And Publishing Compa London Printing And Publishing Company London Printing Publishing Co London Printing Publishing Company Pakistan Punjab Regiment Rogers Violence Violent Warren Battlefield British Empire Hindoostan
16"x20" (51x41cm) Metal Print
Experience the rich history of the past with our Media Storehouse Metal Prints featuring the iconic image of 'Finding The Colours of the 24th Regiment After The Battle of Chilianwallah, January 1849' from Heritage Images. This stunning metal print brings to life the intensity and emotion of this historic moment during the Battle of Chillianwala in India. Each print is meticulously crafted using high-quality metal sheets, ensuring a vibrant and long-lasting display. Add a touch of history and character to your space with this captivating and intriguing piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Asia
> Pakistan
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> Historic
> Battles
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Finding The Colours of the 24th Regiment After The Battle of Chilianwallah, January 1849
EDITORS COMMENTS
. This powerful print captures a haunting scene from the aftermath of the Battle of Chillianwala in Punjab, India. Fought during the Second Anglo-Sikh War in January 1849, this battle was marked by intense violence and heavy casualties on both sides. In this image, we see a lone soldier from the British East India Company's 24th Regiment standing amidst a field strewn with bodies. His gaze is fixed upon something off-camera - perhaps he has discovered the lost colours (flags) of his regiment amid the chaos and devastation. The photographer skillfully conveys the somber mood through monochrome tones, emphasizing the gravity of war and its toll on human life. Each fallen soldier represents a story cut short, a sacrifice made for country and empire. As we reflect on this historical moment captured by The London Printing and Publishing Company in the 19th century, it serves as a reminder of both colonialism's impact on nations like India and Pakistan today as well as humanity's capacity for violence during times of conflict. This poignant photograph invites us to contemplate not only the physical destruction but also to question our own understanding of war, loss, and remembrance.
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