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Metal Print : Gods and Animals in a Landscape, Fragment from a Scene of Buddha Shakyamuni's... 2nd-early 3rd cent Creator: Unknown

Gods and Animals in a Landscape, Fragment from a Scene of Buddha Shakyamuni's... 2nd-early 3rd cent Creator: Unknown



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Gods and Animals in a Landscape, Fragment from a Scene of Buddha Shakyamuni's... 2nd-early 3rd cent Creator: Unknown

Gods and Animals in a Landscape, Fragment from a Scene of Buddha Shakyamuni's Sermon to Indra (image 1 of 6), 2nd-early 3rd century

Heritage Images features heritage image collections

Media ID 36359386

© Heritage Art/Heritage Images

2nd Century 3rd Century Buddha Buddhist Buddhists Deities Fotuo Fragment Gandhara Gods Indra Pakistan Sermon Shaka Nyorai Shakra Shakyamuni Shih Chia Shijiamouni South And Southeast Asian Art South Asian South East Asia Southeast Asia Southeast Asian


16"x20" (51x41cm) Metal Print

Discover the captivating beauty of ancient art with Media Storehouse's Metal Prints. This exquisite piece showcases a fragment from a 2nd-early 3rd century scene of Buddha Shakyamuni's Sermon to Indra. Witness the harmonious coexistence of gods and animals in this breathtaking landscape, captured in intricate detail. The Unknown Creator's masterpiece, now transformed into a stunning metal print, adds a touch of timeless wisdom and spiritual serenity to your home or office space. Embrace the rich history and culture of Heritage Images with Media Storehouse's premium metal print collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Landscapes > Sculptures

> Arts > Contemporary art > Sculpture > Landscape paintings

> Arts > Landscape paintings

> Arts > Sculpture

> Asia > Pakistan > Related Images

> Historic > Ancient artifacts and relics


EDITORS COMMENTS
Gods and Animals in a Landscape: A Fragment from a Scene of Buddha Shakyamuni's Sermon to Indra This enigmatic fragment, dating from the 2nd to early 3rd century, offers a tantalizing glimpse into the rich artistic traditions of ancient Gandhara, a region located at the crossroads of South Asia and Central Asia, now modern-day Pakistan. The fragment, which is part of a larger scene, depicts a serene Buddha Shakyamuni delivering a sermon to the god Indra, surrounded by an array of gods and animals in a lush, idyllic landscape. The gods, depicted in human form, are shown in various poses, some in deep meditation, others in animated conversation with each other. Animals, both real and mythical, frolic in the background, adding a sense of playfulness and vitality to the scene. The fragment is carved from gray schist with traces of paint, a common medium for sculpture in the region during this period. Buddhism, which originated in India, had spread to Gandhara by the 1st century CE, and the art of this region reflects the syncretic nature of the religion, blending Buddhist and Hindu influences. The fragment's intricate details and masterful execution are a testament to the artistic sophistication of the time. This fragment is a precious reminder of the rich cultural heritage of South and Southeast Asia, and a reminder of the enduring influence of Buddhism on the artistic traditions of the region. It is currently housed in the Los Angeles County Museum of Art (LACMA), where it continues to inspire awe and wonder in visitors from around the world.

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