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Metal Print : Ibsamboul, Colosse Medial (Enfoui) du Speos de PhreNubie
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Ibsamboul, Colosse Medial (Enfoui) du Speos de PhreNubie
Ibsamboul, Colosse Medial (Enfoui) du Speos de Phre Nubie, Palestine et Syrie, 1849/51, printed 1852. A work made of salted paper print, plate 106 from the album " egypte, nubie, palestine et syrie" (1852). (Nubia, Abu Simbel, middle colossus from the temple of Rameses II)
Heritage Images features heritage image collections
Media ID 23873631
© Heritage Art/Heritage Images
1852 19th Dynasty Abu Simbel Abu Simbel As Said Egypt Ancient Site Camp Maxime Du Colossi Colossus Du Camp Maxime Egypte Nubie Palestine Et Syrie And Hemi Speos Hemispeos Ii Ramesses Maxime Du Camp Middle Eastern Nubia Nubian Ozymandias Rameses Ii Rameses The Great Ramesses Ii Ramesses The Great Ramses Ii Ramses The Great Rock Cut Salted Paper Print Speos Temple Of Abu Simbel Unesco World Heritage Site Ancient Egyptian Mizraim
16"x20" (51x41cm) Metal Print
Bring the ancient world into your modern home with our Media Storehouse Metal Prints. This stunning image, "Ibsamboul, Colosse Medial (Enfoui) du Speos de PhreNubie" by Maxime du Camp, captures the timeless beauty of Egypt and Syria in the mid-19th century. Printed from the original salted paper print, plate 106 from the album "egypte, nubie," this metal print offers vibrant colors and exceptional detail. The sleek, modern metal surface not only enhances the image's visual impact but also adds a contemporary twist to your decor. Experience the rich history of the past, brought to life in the present with our high-quality Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Ibsamboul, Colosse Medial (Enfoui) du Speos de Phre Nubie" transports us back to the ancient wonders of Egypt. Taken by Maxime du Camp in 1849/51 and printed in 1852, this salted paper print captures the essence of a monumental masterpiece from the 19th dynasty. The image showcases the middle colossus from the temple of Rameses II at Abu Simbel, located in present-day Nubia. The black and white composition emphasizes every intricate detail of this awe-inspiring structure carved into rock. The colossal figure stands tall against a backdrop that exudes history and spirituality. Du Camp's photograph allows us to appreciate not only the grandeur of ancient Egyptian architecture but also its religious significance. The face of the colossus radiates power and divinity, reminding us of Egypt's rich cultural heritage. This work is part of an album titled "Egypte, Nubie, Palestine et Syrie" which serves as a visual journey through these historic lands. Du Camp's skillful photography brings these distant places closer to our hearts, allowing us to marvel at their beauty even centuries later. As we gaze upon this remarkable piece captured by Maxime du Camp, we are reminded that art has no boundaries or limitations when it comes to preserving our shared human history.
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