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Metal Print : Jesus writes on the ground, from a Mirror of Holiness (Mir at al-quds)... 1602-1604
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Jesus writes on the ground, from a Mirror of Holiness (Mir at al-quds)... 1602-1604
Jesus writes on the ground, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. As Jesus was debating with the scribes and Pharisees in Jerusalem they brought before him an adulterous woman and, hoping to incite him to violence, claimed that if Jesus followed the law of Moses he should order her to be stoned to death. Jesus responded, " Let whichever of you is without sin cast the first stone." Then he began to write with his finger on the ground, and each of the men saw a description of his own sins. The two men in the bottom corner of the painting seem to be uncertainly holding or hiding the stones in their hands
Heritage Images features heritage image collections
Media ID 19622595
© Heritage Art/Heritage Images
Allahabad Colour And Gold On Paper Mughal Period Northern India Opaque Watercolour Uttar Pradesh
16"x24" (61x41cm) Metal Print
Experience the profound beauty and spiritual depth of this timeless masterpiece with our Media Storehouse Metal Prints. Featuring the iconic image of Jesus writing on the ground from the Mirror of Holiness (Mir at al-quds), created by Father Jerome Xavier between 1602 and 1604, this exquisite artwork captures a pivotal moment in history. As Jesus debates with the scribes, His divine power is on full display as He etches the law in the sand, leaving an indelible mark on those who witness His miraculous deeds. Our high-quality metal prints bring out the intricate details and vibrant colors of this Heritage Images photograph, transforming it into a stunning work of art that will inspire reflection and awe in any setting.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a profound moment from the Mirror of Holiness (Mir at al-quds) by Father Jerome Xavier, dating back to 1602-1604. The scene depicts Jesus engaged in a heated debate with the scribes and Pharisees in Jerusalem. Sensing their malicious intentions, they bring forward an adulterous woman, urging Jesus to condemn her to death as per the law of Moses. However, instead of succumbing to their provocation, Jesus responds with remarkable wisdom and compassion. He challenges those without sin among them to cast the first stone at the woman. As tension fills the air, Jesus stoops down and begins writing on the ground with his finger. In this mesmerizing artwork, we witness a powerful transformation unfolding before our eyes. Each man present sees a description of his own sins emerge beneath Jesus' touch on the ground. The two men depicted in the bottom corner appear uncertainly holding or hiding stones that were once ready for violence but now seem heavy with introspection. Rendered meticulously using allahabad color and gold on paper during India's Mughal period in Northern India's Uttar Pradesh region, this painting showcases exceptional artistic skill combined with deep spiritual significance. Preserved within The Cleveland Museum of Art's collection today, this unknown masterpiece invites us to reflect upon our own flaws and reminds us that true righteousness lies not in judgment but rather in self-reflection and forgiveness.
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