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Metal Print : Kiyohime, Emerging from the Hidaka River, Turning into a Serpent, 1865. Creator: Tsukioka Yoshitoshi

Kiyohime, Emerging from the Hidaka River, Turning into a Serpent, 1865. Creator: Tsukioka Yoshitoshi



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Kiyohime, Emerging from the Hidaka River, Turning into a Serpent, 1865. Creator: Tsukioka Yoshitoshi

Kiyohime, Emerging from the Hidaka River, Turning into a Serpent, 1865. From One Hundred Ghost Tales from China and Japan

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Media ID 36359218

© Heritage Art/Heritage Images

1860s Anger Angry Bare Feet Calligraphy Changing Character Feet Folk Life Folklore Foot Fury Hyaku Monogatari Japanese Era Legend Legendary Myth One Hundred Ghost Tales Rage Reptile Reptiles Serpent Shore Snake Taiso Transforming Tsukioka Yoshitoshi Wave Waves Yoshitoshi Tsukioka Barefoot Colour Woodblock Print


16"x24" (61x41cm) Metal Print

Experience the captivating allure of Japanese woodblock art with our Media Storehouse Metal Print of "Kiyohime, Emerging from the Hidaka River, Turning into a Serpent" by Tsukioka Yoshitoshi. This iconic piece, taken from "One Hundred Ghost Tales from China and Japan," showcases the transformative power of Kiyohime as she emerges from the river, morphing into a serpent. The vivid colors and intricate details of this 1865 masterpiece are beautifully preserved in our premium metal print, adding a touch of Asian artistry and mystique to any space. Embrace the enchanting world of Japanese folklore with this stunning, museum-quality print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Reptiles > Snakes > Night Snake > Related Images

> Animals > Reptiles > Snakes > Related Images

> Arts > Artists > T > Yoshitoshi Taiso

> Arts > Artists > Y > Tsukioka Yoshitoshi

> Arts > Artists > Y > Yoshitoshi

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Asia > Japan > Related Images


Kiyohime, Emerging from the Hidaka River, Turning into a Serpent,

EDITORS COMMENTS
is a captivating woodblock print created by the renowned Japanese artist Tsukioka Yoshitoshi in 1865. This masterpiece is a part of the series "One Hundred Ghost Tales from China and Japan," which showcases various supernatural stories from both countries. The print depicts the legendary figure of Kiyohime, a vengeful woman from Japanese folklore. The story goes that Kiyohime, once a beautiful woman in love with a priest named Okina, was rejected and driven away in anger. In her fury, she transformed herself into a serpent and took revenge by causing a flood in the Hidaka River, drowning all the villagers. In the print, Kiyohime is shown emerging from the river, her body half-human and half-serpent. She wears traditional Japanese clothing, including a kimono and obi, which are now in disarray as she transforms. Her bare feet, once adorned with intricate sandals, are now clawed and scaly. Her eyes are filled with rage, and her mouth is open in a hiss. The print is a stunning example of ukiyo-e, a traditional Japanese art form that flourished during the Edo and Tokugawa periods. The use of color woodblock printing techniques adds depth and texture to the image, making Kiyohime's transformation all the more striking. The print also showcases the rich geographical and cultural heritage of Japan, with the Hidaka River serving as a backdrop to the story. The print is now housed in the Los Angeles County Museum of Art (LACMA), where it continues to captivate audiences and inspire appreciation for the rich artistic traditions of Asia. Overall, "Kiyohime, Emerging from the Hidaka River, Turning into a Serpent," is a powerful and evocative work of art that showcases the beauty and complexity of Japanese folklore and the skill of Tsukioka Yoshitoshi as a master woodblock printmaker.

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