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Metal Print : The Latest in Russia Bonds, 1874. Artist: Joseph Swain
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The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground, Cupid wears the skin of the Russian Bear as Grand Duchess Marie Alexandrovna of Russia married Alfred, Duke of Edinburgh. The marriage took place at the Winter Palace, St. Petersburg in a ceremony jointly conducted by Greek ecclesiastics and Dean Stanley of the Anglican Church. From Punch, or the London Charivari, January 24, 1874
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Media ID 14831243
© The Print Collector / Heritage-Images
Alfred Alfred Ernest Albert Bond Bride Bridegroom Cupid Duchess Duchess Of Edinburgh Duchess Of Saxe Coburg Gotha Duke Duke Of Edinburgh Garland Grand Duchess Of Russia Groom Heritage Image Partnership Hymen John Tenniel Joseph Swain Maria Alexandrovna Of Russia Marie Alexandrovna Miserable Mr Punch Pedestal Prince Alfred Punch Punchinello Roses Russian Bear Sir John Tenniel Swain Tenniel Veil Wedding Wettin Allegorical Figure Greek Mythology
16"x20" (51x41cm) Metal Print
Add a touch of historical charm to your home or office with our Media Storehouse Metal Print featuring "The Latest in Russia Bonds, 1874" by John Tenniel. This iconic image, originally published in Mr. Punch magazine, depicts Mr. Punch atop a pedestal labeled Hymen, surrounded by roses, and is a nod to the marriage of Marie Alexandrovna and Prince Alfred in 1874. The intricate details of this classic print are beautifully preserved in our high-quality metal print, which adds a modern and stylish twist to the traditional art form. With its vibrant colors and long-lasting durability, this metal print is sure to be a conversation starter and a cherished addition to any collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "The Latest in Russia Bonds, 1874" we are transported back to the 19th century and witness a satirical depiction of the marriage between Grand Duchess Marie Alexandrovna of Russia and Alfred, Duke of Edinburgh. Created by renowned artists John Tenniel and Joseph Swain, this engraving from Punch magazine showcases their mastery in capturing both humor and symbolism. At the forefront of the image stands Mr Punch himself, adorned with a garland of roses as he perches atop a pedestal labeled Hymen. In an amusing twist, Cupid is seen wearing the skin of a Russian bear, representing the union between these two nations through marriage. The bride, Marie Alexandrovna, appears veiled in her wedding dress while her groom Prince Alfred dons his military uniform. This caricature serves as social commentary on international alliances during that era. With its clever use of allegorical figures and witty satire, it highlights both the joyous occasion and underlying tensions within such unions. The fusion of Greek mythology with British royalty adds an extra layer to this intricate artwork. Through monochrome black-and-white tones characteristic of nineteenth-century prints like this one, we can appreciate not only its artistic value but also its historical significance. This heritage image partnership reminds us how art can capture moments in time for generations to come. Overall, "The Latest in Russia Bonds" offers viewers a glimpse into an important event in European history while showcasing the talent and creativity of artists Tenniel and Swain.
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