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Metal Print : The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton

The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton



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The Lie, plate one from Intimacies, 1897. Creator: Félix Vallotton

The Lie, plate one from Intimacies, 1897

Heritage Images features heritage image collections

Media ID 36192726

© Heritage Art/Heritage Images

Art Movement Deceit Deceitful Deceiving Embrace Embracing Felix Edouard Vallotton Felix Vallotton Graphics Intimacy Intimate Journal Kiss Kissing La Revue Blanche Les Nabis Literary Nabis Post Impressionism Romance Romancing Swiss Switzerland Tense Tension Vallotton Felix Woodcut In Black On Cream Wove Paper Wove Paper Artistic Movement Parody Satirical


16"x20" (51x41cm) Metal Print

Experience the timeless allure of Félix Vallotton's iconic print, "The Lie, plate one from Intimacies, 1897," now available as a stunning Metal Print from Media Storehouse. This limited-edition artwork, sourced from Heritage Images, showcases Vallotton's masterful use of contrast and composition in this thought-provoking piece. The high-quality Metal Print process enhances the vivid colors and intricate details, transforming your home or office into a personal gallery. Bring this classic work of art into your space and ignite conversation with its hauntingly beautiful depiction of deception. Order now and join the ranks of discerning collectors who appreciate the beauty and depth of this Félix Vallotton masterpiece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Impressionism

> Arts > Art Movements > Post-Impressionism

> Arts > Artists > V > Felix Edouard Vallotton

> Arts > Artists > V > Felix Vallotton

> Arts > Literature > Magazines

> Arts > Modern art pieces > Impressionism > Post-impressionism

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Le Mans

> Europe > Switzerland > Posters

> Europe > Switzerland > Related Images


EDITORS COMMENTS
The Lie," plate one from Félix Vallotton's series "Intimacies," created in 1897, is a captivating black and white drawing that masterfully captures the complexity of human emotions, particularly the theme of deceit and the intricacies of romantic relationships. This antique artwork, now held in the esteemed collection of the Art Institute of Chicago, is a testament to the enduring allure of the Nabis artistic movement, a post-impressionist group that emerged in France during the late 19th century. In this evocative image, a man and a woman, ensnared in a web of deceit, embrace in an indoor setting. Their faces are hidden from view, their expressions inscrutable, as they share a clandestine kiss. The couple's bodies, bathed in the soft, diffused light of the interior, seem to merge together, creating a sense of intimacy and secrecy. The drawing, originally published in the literary magazine La Revue Blanche, is a satirical commentary on the human condition and the deceptive nature of love. Vallotton's use of bold lines and stark contrasts adds to the overall sense of tension and intrigue, making "The Lie" a compelling work of art that continues to captivate audiences more than a century after its creation. This historic piece, a valuable addition to the rich cultural heritage of the art world, invites viewers to ponder the complexities of human relationships and the power of deceit to shape our lives. Whether viewed as a work of post-impressionist art, a satirical commentary, or a poignant depiction of romantic entanglements, "The Lie" remains a captivating and thought-provoking work of art that continues to resonate with audiences today.

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