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Metal Print : Money Lenders, November 8, 1784. November 8, 1784. Creator: Thomas Rowlandson
Resolution may be reduced at this size (115 DPI)
Metal Prints from Heritage Images
Money Lenders, November 8, 1784. November 8, 1784. Creator: Thomas Rowlandson
Money Lenders, November 8, 1784
Heritage Images features heritage image collections
Media ID 19984638
© Heritage Art/Heritage Images
Anti Jewish Anti Semitic Anti Semitism Borrowing Contract George Iv George Iv King Of Great Britain George Iv Of The United Kingdom George Prince Of Wales Jewish Jews Judaism King George Iv King Of Great Britain Mahajan Money Money Lender Moneylender Prince Of Wales Prince Regent Prinnie Prinny Rowlandson Rowlandson Thomas Thomas Rowlandson Hand Tinted
16"x24" (61x41cm) Metal Print
Step back in time with our exquisite Metal Print of Thomas Rowlandson's "Money Lenders, November 8, 1784." This captivating artwork, originally created in 1784, depicts a scene of moneylenders in action. The intricate details and vibrant colors come alive on our high-quality metal print, adding a touch of historical elegance to any space. With its durable and water-resistant surface, this Metal Print is not only a beautiful work of art but also a long-lasting investment. Bring the rich history of the past into your present with our stunning range of Metal Prints from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Caption: "Money Lenders, November 8,1784" - A Satirical Depiction of Finance and Prejudice in 18th Century Britain This print showcases a hand-colored etching titled "Money Lenders, November 8,1784" created by the renowned artist Thomas Rowlandson. Dating back to the late 18th century during the reign of King George IV of Great Britain, this artwork provides a fascinating glimpse into societal attitudes and prejudices prevalent at that time. Rowlandson's satirical depiction portrays money lenders engaged in financial transactions with individuals from various backgrounds. However, it is important to note that this piece has been criticized for its anti-Semitic undertones. The artist's portrayal perpetuates harmful stereotypes about Jewish people and their involvement in finance. The scene captures the bustling atmosphere of borrowing and lending money within British society during this era. With meticulous attention to detail and vibrant colors, Rowlandson skillfully brings his characters to life while highlighting their religious affiliations through subtle cues. Despite its controversial nature due to its anti-Semitic themes, this artwork serves as a valuable historical artifact reflecting prevailing sentiments towards Jews in Georgian England. It prompts us to reflect on how art can both mirror and challenge societal norms. Preserved at The Metropolitan Museum of Art (The Met), this hand-tinted print offers an opportunity for viewers today to engage critically with issues such as prejudice, religion, finance, and power dynamics that were prevalent during the reigns of
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