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Metal Print : Native of Mozambique, 1848. Artist: Ebenezer Landells

Native of Mozambique, 1848. Artist: Ebenezer Landells



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Native of Mozambique, 1848. Artist: Ebenezer Landells

Native of Mozambique, 1848. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London, third edition, 1848)

Heritage Images features heritage image collections

Media ID 14880516

© The Print Collector / Heritage-Images

Ebenezer Ebenezer Landells Ethnicity Ethnography Ethnology James Cowles James Cowles Prichard James Prichard Landells Mozambique Natural History Prichard Pritchard Race Scar Scarification Scarred


16"x20" (51x41cm) Metal Print

Bring history to life with our stunning Metal Prints featuring the captivating image of a Native of Mozambique, as depicted in Ebenezer Landells' engraving from James Cowles Prichard's Natural History of Man (1848). This exquisite piece, published by Hippolyte Bailliere in London, showcases the rich cultural heritage of Mozambique. Our high-quality Metal Prints not only preserve the intricate details of this classic artwork but also add a modern and vibrant touch to any space. Each print is meticulously printed on premium metal sheets using a dye-sublimation process, ensuring long-lasting durability and a brilliant, lustrous finish. Elevate your home or office décor with this beautiful and thought-provoking piece of historical art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Mozambique > Related Images

> Africa > Related Images

> Arts > Artists > L > Ebenezer Landells

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This photo print, titled "Native of Mozambique, 1848" takes us back to the enchanting world of 19th-century Africa. Created by artist Ebenezer Landells for James Cowles Prichard's Natural History of Man, this engraving offers a glimpse into the rich cultural heritage of Mozambique. The portrait showcases an indigenous Mozambican man with a striking presence. His face bears the marks of scarification, a traditional practice that holds deep significance within his community. These scars tell stories of identity, belonging, and personal history. Landells' meticulous attention to detail captures not only the physical features but also the essence and spirit of this native man. The monochrome palette adds depth and intensity to every line etched on paper. As we observe this remarkable individual from another era, we are reminded of the vast diversity that exists within our human family. This image serves as a testament to both scientific exploration and artistic expression in documenting different cultures around the world during that time period. Ebenezer Landells' collaboration with James Prichard brings forth an invaluable historical artifact that continues to ignite curiosity about African ethnography today. It invites us to appreciate and respect the beauty found in every corner of our planet while honoring those who have shaped its vibrant tapestry throughout centuries past.

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