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Metal Print : Naval Reform, 1859

Naval Reform, 1859



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Naval Reform, 1859

Naval Reform, 1859. In 1859, there was an ongoing struggle between France and Austria over Italian independence as the Italian states tried to rid themselves of despotic rulers. Britain was generally supportive of the Italian struggle but very suspicious of French involvement and intentions. Napoleon fought an only partly conclusive war with Austria to help achieve Italian independence of Austrian rule of some of its regions. Whilst Britain was not directly involved at this time, the conflicts in Europe revived fears of the possibility of war with France. Here, John Bull, the representative of the British People, is instructing First Lord of the Admiralty, Sir John Pakington, who has adopted the subservient posture of the shopkeeper, that the money newly allocated for improving the fleet should be well spent. From Punch, or the London Charivari, February 26, 1859

Heritage Images features heritage image collections

Media ID 14829245

© The Print Collector / Heritage-Images

Admiralty Baron Boat Builder Boatbuilder Cost First Lord Of The Admiralty Hampton Heritage Image Partnership John Bull Money Sir John Allegorical Figure John Pakington Naval Warfare Pakington Sir John Pakington


16"x20" (51x41cm) Metal Print

Bring history to life with Media Storehouse Metal Prints. This stunning image, "Naval Reform, 1859" by Unknown, captures a pivotal moment in European history. Amidst the ongoing struggle for Italian independence, naval forces prepare for battle against the backdrop of a stormy sea. Our high-quality metal prints are not just beautiful home decor, they're a window into the past. Each print is meticulously crafted, using advanced printing techniques to bring out the rich details and vibrant colors of this Heritage Images photograph. Order now and relive history in a whole new way!

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Austria > Politics

> Europe > Austria > Posters

> Europe > Austria > Related Images

> Europe > France > Military

> Europe > Italy > Politics

> Europe > Italy > Related Images


EDITORS COMMENTS
This print, titled "Naval Reform, 1859" captures a pivotal moment in European history. In the mid-19th century, Italy was embroiled in a struggle for independence from despotic rulers, with France and Austria vying for control over its regions. Britain, while supportive of Italian aspirations, remained wary of French involvement. The satirical cartoon depicts John Bull, symbolizing the British people, instructing Sir John Pakington, the First Lord of the Admiralty at that time. Pakington is portrayed as a subservient shopkeeper figure while receiving guidance from Bull on how to wisely allocate funds recently allocated for improving the fleet. Published in Punch magazine on February 26th, 1859, this engraving reflects Britain's concerns about potential conflicts with France amidst ongoing European tensions. The image emphasizes financial considerations and highlights the importance of judiciously investing money into naval enhancements. Through clever allegory and caricature techniques characteristic of political satire during that era, this print offers insight into the complex dynamics between nations during this period. It serves as a reminder of how politics and finance intersected with war preparations within Europe's naval powers. Preserved by Heritage Images Partnership today but originally created by an unknown artist under Sir John Pakington's name - who later became Baron Hampton - this historical artifact provides us with valuable glimpses into past events and attitudes surrounding warfare and international relations in the 19th century.

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