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Metal Print : The Odious Odo, c1860, (c1860). Artist: John Leech

The Odious Odo, c1860, (c1860). Artist: John Leech



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The Odious Odo, c1860, (c1860). Artist: John Leech

The Odious Odo, c1860, (c1860). Odo of Cluny (c878-942 AD) was the second abbot of Cluny. He reformed in the Cluniac system of France and Italy. The Cluniac Reforms focused on restoring the traditional monastic life, encouraging art and caring for the poor. The reforms were largely carried out by Saint Odo and spread throughout France, England (the English Benedictine Reform), Italy and Spain. From The Comic History of England, Volume I, by Gilbert A A Beckett. [Bradbury, Agnew, & Co. London]

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Media ID 14987947

© The Print Collector

A Beckett Abbot Agnew Co Beckett Bradbury Comic Comical G A Gilbert Abbott Ga Gilbert Abbott Gilbert A Beckett Gilbert Abbott Gilbert Abbott A Gilbert Abbott A Beckett John Leech Leech Mitre Religious Order The Comic History Of England Cluniac


16"x20" (51x41cm) Metal Print

Bring a piece of historical artistry into your home with our Media Storehouse Metal Print featuring "The Odious Odo," (c1860) by renowned artist John Leech from Heritage Images. This intriguing image depicts Odo of Cluny (c878-942 AD), the second abbot of Cluny, who led significant reforms in the Cluniac system of France and Italy. Our high-quality metal prints offer vibrant colors, rich detail, and a contemporary, sleek design that adds an elegant touch to any room. Experience the beauty and history of this captivating artwork every day.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > John White Abbott

> Arts > Artists > G > John Gilbert

> Arts > Artists > L > John Leech

> Arts > Artists > W > John White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Europe > Italy > Related Images

> Europe > Spain > Posters


The Odious Odo, c1860

EDITORS COMMENTS
is a captivating print that showcases the artistic brilliance of John Leech. This comical and satirical portrayal depicts Odo of Cluny, the second abbot of Cluny, who played a pivotal role in the Cluniac Reforms during the 9th and 10th centuries. Odo's significant contributions to restoring traditional monastic life and promoting art are evident in this engraving. The black and white monochrome adds depth to his character, emphasizing his historical importance. With a mischievous smile on his face and wearing an elaborate mitre, Odo exudes authority while also evoking humor. Through this artwork, we are transported back to 19th-century England where literature and satire thrived. The detailed caricature captures both the essence of Odo's religious devotion as well as his humorous personality. It serves as a testament to Gilbert A A Beckett's "The Comic History of England" which aimed to entertain readers with its witty illustrations. This print not only celebrates English history but also highlights the influence of Saint Odo beyond national borders. His reforms spread across France, Italy, Spain, and even influenced the English Benedictine Reform. As we gaze upon this remarkable image, we are reminded of how one man's dedication can shape an entire religious order. In conclusion, "The Odious Odo" is more than just a portrait; it encapsulates an era marked by reformations and artistic expression while paying homage to Saint Oda's enduring legacy.

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