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Metal Print : The Painter as Illustrator, 1932, (1946). Artist: Paul Nash
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The Painter as Illustrator, 1932, (1946). Artist: Paul Nash
The Painter as Illustrator, 1932, (1946). Hydriotaphia, Urn Burial, or, a Discourse of the Sepulchral Urns lately found in Norfolk, is a work by Thomas Browne (1605-1682), published in 1658 featuring The Painter as Illustrator by Paul Nash (1889-1946). From English Printed Books, by Francis Meynell. [Collins, London, 1946]
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Media ID 14969436
© The Print Collector
Abstract Browne Collins Francis Francis Meynell Illustrator Meynell Nash Norfolk Paul Printed Sepulchral Sepulchre Surreal Surrealism Vase William Collins Artistic Movement Mausoleum Paul Nash
16"x20" (51x41cm) Metal Print
Bring the captivating art of Paul Nash into your home with our Media Storehouse Metal Prints. This stunning piece, titled "The Painter as Illustrator" (1932, 1946), showcases Nash's unique blend of surrealism and symbolism. Inspired by Thomas Browne's "Hydriotaphia, Urn Burial, or, a Discourse of the Sepulchral Urns lately found in Norfolk," this artwork invites reflection and wonder. Our high-quality Metal Prints are vibrant, durable, and waterproof, ensuring your investment in art is protected for years to come. Elevate your decor and ignite conversation with this intriguing piece from the esteemed artist Paul Nash.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Painter as Illustrator, 1932" by renowned artist Paul Nash. Created in 1946, this surrealistic piece is part of a larger work called "Hydriotaphia, Urn Burial" written by Thomas Browne and published in 1658. The image captures the essence of Nash's artistic movement during the thirties and forties. Set against a grey wall in an English countryside location, the print features a mesmerizing blend of colors. A prominent pink rose emerges from an abstract vase, symbolizing life amidst death. The concept of burial and tomb is subtly conveyed through the presence of urns surrounding the painter. Nash's lithograph portrait exudes creativity and passion for his profession. His unique style combines elements of literature with visual artistry, making him a true illustrator at heart. This particular artwork was included in Francis Meynell's book "English Printed Books" published by Collins in London in 1946. "The Painter as Illustrator" transports viewers to another time and place - a reflection on life's transient nature while celebrating artistic expression. It serves as a reminder that even within somber themes like death and sepulchral symbolism, beauty can be found. This print from Heritage Images allows us to appreciate Paul Nash's contribution to the artistic landscape of the twentieth century while honoring his collaboration with literary figures such as Thomas Browne.
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