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Metal Print : Pepohoan Women; Mode of Carrying Child; Costume of Baksa Women; Lakoli, c. 1868
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Pepohoan Women; Mode of Carrying Child; Costume of Baksa Women; Lakoli, c. 1868
Pepohoan Women; Mode of Carrying Child; Costume of Baksa Women; Lakoli, c. 1868. A work made of collotype, pl. iv from the album " illustrations of china and its people, volume ii" (1873)
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Media ID 23873617
© Heritage Art/Heritage Images
1873 Child Care Childcare Collotype Daily Life J Thompson John Thomson Local People Oriental Sling Taiwan Thomson John Infancy Infant
16"x20" (51x41cm) Metal Print
Bring the rich cultural heritage of the past into your modern home with Media Storehouse's Metal Prints featuring John Thomson's iconic photograph "Pepohoan Women; Mode of Carrying Child; Costume of Baksa Women; Lakoli, c. 1868." This stunning collotype image, originally published in "Illustrations of China and Its People, Volume II" (1873), captures the essence of traditional Baksa life in Borneo. The high-quality metal print preserves the intricate details and vibrant colors of this historic photograph, making it a beautiful addition to any wall. Celebrate the diversity of human history with this unique and captivating piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "Pepohoan Women; Mode of Carrying Child; Costume of Baksa Women; Lakoli, c. 1868" offers a glimpse into the daily life of Chinese women in the late 19th century. Taken by renowned Scottish photographer John Thomson, this image is part of his album "Illustrations of China and Its People, Volume II" from 1873. The photograph showcases two Pepohoan women carrying their infants using traditional slings while dressed in distinctive Baksa costumes. The intricate details captured in this collotype print highlight the rich cultural heritage and unique fashion sense prevalent among local people during that era. Thomson's lens beautifully captures the essence of motherhood as these women gracefully navigate through a bustling street in Lakoli, Taiwan. Their expressions reflect both strength and tenderness as they skillfully balance their babies while going about their daily tasks. This vintage artwork not only provides a visual documentation of historical Chinese society but also serves as an important reminder of our shared human experiences across time and cultures. It invites viewers to appreciate the beauty found within everyday moments and celebrates the resilience and nurturing nature inherent to motherhood. Displayed at the Art Institute Chicago, this photograph stands as a testament to Thomson's remarkable talent for capturing intimate glimpses into diverse communities around the world. Through his lens, he bridges geographical boundaries by immortalizing scenes that continue to resonate with audiences today.
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