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Metal Print : Plate 13, from World in Miniature, 1816. 1816. Creator: Thomas Rowlandson

Plate 13, from World in Miniature, 1816. 1816. Creator: Thomas Rowlandson



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Plate 13, from World in Miniature, 1816. 1816. Creator: Thomas Rowlandson

Plate 13, from " World in Miniature", 1816

Heritage Images features heritage image collections

Media ID 19984940

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Beggar Beggars Begging Funny Horse Drawn Carriage Phaeton R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Signpost Thomas Rowlandson World In Miniature Hand Tinted Horse Drawn Horse Drawn Vehicle Horsedrawn


16"x24" (61x41cm) Metal Print

Step into the past with our stunning Metal Print of Plate 13 from Thomas Rowlandson's "World in Miniature," published in 1816. This exquisite piece, featuring the creative works of renowned British artist Thomas Rowlandson, captures the essence of the 19th century in intricate detail. The Metal Print process enhances the vibrancy and depth of the original image, ensuring a museum-quality display in your home or office. Bring history to life with this unique and captivating addition to your decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> Humour > Postcard

> Humour > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This hand-tinted print, Plate 13 from "World in Miniature" by Thomas Rowlandson, takes us back to the bustling streets of 19th century Britain. The scene captures a humorous and satirical depiction of everyday life during this era. In the foreground, we see a horse-drawn carriage known as a phaeton, with its passengers enjoying their leisurely ride. However, it is the signpost next to them that catches our attention. It humorously points towards various destinations such as Poverty Lane and Beggars' Corner, highlighting the prevalent issue of poverty in society at that time. Rowlandson's keen eye for detail is evident in his portrayal of beggars scattered along the roadside. These destitute individuals are depicted with exaggerated features and comical expressions, adding an element of satire to the artwork. The vibrant colors used in this hand-colored print bring life to every aspect of the composition. From the rich hues adorning clothing and buildings to the lush greenery lining the streets, each detail contributes to creating a vivid snapshot of 19th-century urban life. Plate 13 from "World in Miniature" serves not only as a visual record but also as social commentary on class divisions and societal issues prevalent during this period. This piece offers us a glimpse into history while reminding us that even centuries later, some themes remain relevant today.

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