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Metal Print : Portrait of Willem Adriaen (?-1625), Count of Hornes, Lord of Kessel and Westwezel, c.1616-c.1633. Creator: Workshop of Jan Antonisz van Ravesteyn
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Portrait of Willem Adriaen (?-1625), Count of Hornes, Lord of Kessel and Westwezel, c.1616-c.1633. Creator: Workshop of Jan Antonisz van Ravesteyn
Portrait of Willem Adriaen (?-1625), Count of Hornes, Lord of Kessel and Westwezel, c.1616-c.1633
Heritage Images features heritage image collections
Media ID 36322387
© Heritage Art/Heritage Images
Count Ginger Hair Jan Anthonisz Van Ravesteyn Jan Antonisz Van Ravesteyn Jan Antonisz Van Ravesteyn Workshop Of Jan Van Ravesteyn Lace Collar Lord Lordship Mustache Nobility Ravesteyn Jan Anthonisz Van Ravesteyn Jan Antonisz Van Ravesteyn Jan Antonisz Van Workshop Of Red Hair Redhead Sash Van Ravesteyn Jan Anthonisz Workshop Of Jan Antonisz Van Ravesteyn Aristocrat Titled
16"x20" (51x41cm) Metal Print
Bring historic elegance into your home with our Media Storehouse Metal Print of the Portrait of Willem Adriaen, Count of Hornes, Lord of Kessel and Westwezel, created by the Workshop of Jan Antonisz van Ravesteyn. This exquisite artwork, featuring the enchanting portrait of Willem Adriaen from the 17th century, is now available in a modern, stylish format. The Metal Print's vibrant colors and stunning detail are preserved through the use of advanced printing techniques on a durable, lightweight metal sheet. Add a touch of history and sophistication to any room with this captivating piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait depicts Willem Adriaan (?-1625), Count of Hornes, Lord of Kessel and Westwezel, in the Baroque era of the 17th century. The painting, created in the workshop of Jan Antonisz van Ravesteyn, showcases the aristocrat in an elegant and ornate attire, reflecting his high social standing. The Count is dressed in a richly colored doublet, adorned with gold lace and a golden collar, which adds an air of opulence to his appearance. His ginger beard and mustache, styled in a neat and well-groomed manner, frame his face, which is turned away from the viewer, giving an enigmatic and slightly distant expression. The intricate details of the painting, such as the delicate lace collar and the meticulously rendered fabric textures, are characteristic of the Baroque era's emphasis on grandeur and luxury. The use of oil on panel technique adds depth and richness to the image, making the Count's portrait a striking example of Dutch heritage art from the Low Countries during this period. The painting's historical significance lies in its portrayal of the Count's noble lineage and the social hierarchy of the time. The Count's regal bearing and the subtle lettering on the painting's border further emphasize his position as a powerful and influential figure in the aristocracy.
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