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Metal Print : A Railway Revolution, 1874. Artist: Joseph Swain
Metal Prints from Heritage Images
A Railway Revolution, 1874. Artist: Joseph Swain
A Railway Revolution, 1874. A large lady seeks advice from the Railway guard at St Pancras. From Punch, or the London Charivari, October 10, 1874
Heritage Images features heritage image collections
Media ID 14831281
© The Print Collector / Heritage-Images
Advice Anger Angry Assistance Camden Class Dais Fury Guard Heritage Image Partnership John Tenniel Joseph Swain Passenger Passengers Platform Rage Railway Staff Railway Station Sir John Tenniel St Pancras Station Swain Tenniel Train Station Manchester Railway Midland Railway Company St Pancras Station
16"x20" (51x41cm) Metal Print
Step back in time with our stunning Metal Print of "A Railway Revolution, 1874" by John Tenniel, featuring the iconic illustration from Punch magazine. This captivating piece by Joseph Swain depicts a large lady seeking guidance from a railway guard at St. Pancras Station. Bring history to life in your home or office with the vibrant colors and sleek design of our Metal Prints. Each print is meticulously crafted with a durable, high-gloss finish that enhances the rich details and textures of the original artwork. Order now and relive the excitement of the railway revolution!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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A Railway Revolution, 1874
EDITORS COMMENTS
is a captivating print that captures the essence of Victorian society and its relationship with the railway. In this artwork by Joseph Swain, we witness a scene at St Pancras Station where a large lady seeks advice from a railway guard. The image, originally published in Punch magazine on October 10,1874, showcases the intricate details of dress and uniform worn during that era. The cartoon-like illustration depicts an angry female passenger venting her frustration to the railway guard. The artist cleverly uses satire to highlight issues surrounding class distinctions and transportation politics prevalent in Britain at the time. With monochrome tones and black-and-white engraving techniques, Swain creates a visually striking piece that transports us back to the bustling atmosphere of London's train stations in the 19th century. This print not only serves as a historical document but also offers insight into societal attitudes towards women's roles and their interactions with male-dominated spaces like railways. It reminds us of how far we have come in terms of gender equality since then. As part of Heritage Images' collection, this artwork preserves an important moment in history when railways were transforming travel across England. It stands as a testament to Joseph Swain's artistic talent and his ability to capture both political commentary and everyday life through his illustrations.
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