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Metal Print : Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Creator: Bergognone, Ambrogio (1453-1523)

Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Creator: Bergognone, Ambrogio (1453-1523)



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Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Creator: Bergognone, Ambrogio (1453-1523)

Saint Lucia (From the San Bartolomeo Polyptych), 1515-1520. Found in the Collection of the Accademia Carrara, Bergamo

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Media ID 36216689

© Fine Art Images/Heritage Images

Accademia Carrara Ambrogio 1453 1523 Bergamo Bergognone Christian Church Holy Women Milanese School Myrrhbearing Women Persecution Of Christians Roman Empire Saint Lucia Saint Lucy Santa Lucia


20"x24" (61x51cm) Metal Print

Bring the enchanting beauty of Saint Lucia, as depicted in Ambrogio Bergognone's masterpiece from the San Bartolomeo Polyptych, into your home with our Media Storehouse Metal Prints. This exquisite 16th-century artwork, featuring the venerated saint, is now available in a modern and stylish format. The high-quality metal print preserves the intricate details and vibrant colors of the original image, creating a stunning piece of art that is sure to captivate any room. Own a piece of art history with our Saint Lucia Metal Print, proudly displayed by collectors and art enthusiasts alike.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")

Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Lombardy > Bergamo

> Europe > Italy > Tuscany > Carrara

> Historic > Ancient civilizations > Roman Empire > Roman art

> Historic > Renaissance art > Italian Renaissance art

> Italian renaissance art

> North America > Saint Lucia > Related Images


EDITORS COMMENTS
This exquisite painting, titled "Saint Lucia (From the San Bartolomeo Polyptych)," is a masterpiece created by the renowned Italian artist Ambrogio Bergognone between 1515 and 1520. The artwork is currently housed in the esteemed Collection of the Accademia Carrara in Bergamo, Italy. Saint Lucia, depicted in this painting, was a revered early Christian saint and martyr. Born in Sicily during the late third century, she was known for her exceptional beauty and unwavering faith. During the Roman Empire's persecution of Christians, Lucia was arrested and ordered to renounce her faith. She refused, leading to her brutal execution, which included the plucking out of her eyes. Bergognone's portrayal of Saint Lucia captures her serene and resolute demeanor, despite the impending persecution. The saint is shown holding a tray with three vials, symbolizing the myrrh, spices, and perfumes that were offered to her before her execution. The painting's intricate details, such as Lucia's delicate features, the rich textures of her robe, and the ornate patterns of the background, exemplify the Milanese School's distinctive Renaissance style. The Bible records Saint Lucia as one of the myrrh-bearing women who visited the tomb of Jesus after His crucifixion. This connection is often depicted in artworks, including Bergognone's "San Bartolomeo Polyptych," which also includes images of the other myrrh-bearing women, Mary Magdalene, Mary Salome, and Mary the mother of James. Bergognone's "Saint Lucia (From the San Bartolomeo Polyptych)" serves as a testament to the artist's skill and the enduring power of faith in the face of adversity. The painting's intricate details and rich symbolism continue to captivate viewers and inspire awe over five centuries after its creation.

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