Metal Print > Animals > Mammals > Didelphidae > Formosa
Metal Print : Santa Maria Formosa, late 19th-early 20th century, (1925). Creator: Donald Shaw MacLaughlan
Metal Prints From Heritage Images
Santa Maria Formosa, late 19th-early 20th century, (1925). Creator: Donald Shaw MacLaughlan
Santa Maria Formosa, late 19th-early 20th century, (1925). Renaissance church in Venice, Italy, built in 1492. The name formosa refers to an alleged appearance of the Virgin Mary disguised as a voluptuous woman. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd. London, 1925]
Heritage Images features heritage image collections
Media ID 15515758
© The Print Collector / Heritage-Images
Brinton C G Holme Cg Holme Donald Shaw Maclaughlan Geoffrey Geoffrey Holme Holme Neo Classical Neo Classicism Neoclassical Selwyn Selwyn Brinton Venice Mauro Santa Maria Formosa
16"x20" (51x41cm) Metal Print
Bring the enchanting beauty of Venice's Santa Maria Formosa to your home with our Media Storehouse Metal Prints. This exquisite image, captured by renowned photographer Donald Shaw MacLaughlan in the late 19th-early 20th century (1925), showcases the stunning Renaissance church in all its glory. Built in 1492, the name 'Formosa' refers to the alleged appearance of the Virgin Mary disguised as a beautiful woman. Our high-quality metal prints are not just a picture, they're a work of art. The vibrant colors and stunning details are brought to life on a sturdy metal surface, making it a perfect addition to any room in your house. Experience the magic of Venice every day with our Santa Maria Formosa Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the magnificent Santa Maria Formosa, a Renaissance church located in Venice, Italy. The image was captured by Donald Shaw MacLaughlan in the late 19th to early 20th century, specifically in 1925. Built in 1492, this architectural masterpiece stands as a testament to Venetian history and Christian faith. The name "Formosa" is derived from an intriguing legend that suggests the Virgin Mary once appeared disguised as a voluptuous woman at this very location. This etching beautifully captures both the exterior and landscape surrounding the church, highlighting its neo-classical design elements. Published in "Venice - Past and Present" written by Selwyn Brinton with editing by Geoffrey Holme, this print transports viewers back in time to experience the allure of Venice during the early twentieth century. Its monochrome aesthetic adds a timeless quality to this stunning piece of art. As we gaze upon this image today, we are reminded of the rich heritage and religious significance that Santa Maria Formosa holds within its walls. It serves as a reminder of our connection to history and spirituality while also showcasing MacLaughlan's talent for capturing architectural beauty through his lens.
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