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Metal Print : Scene from "Tess of the D'Urbervilles", by Thomas Hardy, 1891. Creator: Hubert von Herkomer. Scene from "Tess of the D'Urbervilles", by Thomas Hardy, 1891. Creator: Hubert von Herkomer

Scene from 'Tess of the D'Urbervilles', by Thomas Hardy, 1891. Creator: Hubert von Herkomer. Scene from 'Tess of the D'Urbervilles', by Thomas Hardy, 1891. Creator: Hubert von Herkomer



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Scene from "Tess of the D'Urbervilles", by Thomas Hardy, 1891. Creator: Hubert von Herkomer. Scene from "Tess of the D'Urbervilles", by Thomas Hardy, 1891. Creator: Hubert von Herkomer

Tess of the D'Urbervilles", By Thomas Hardy; "In stagnant blackness they waited through an interval which seemed endless", 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

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Media ID 36264795

© The Print Collector/Heritage Images

Accident Collapse Collapsed County Crashed Dead Despair Fiction Fictional Hardy Thomas Herkomer Hubert Herkomer Hubert Von Horse And Cart Hubert Herkomer Hubert Von Herkomer Incident Killed Misery Misfortune Professor Hubert Herkomer Roadside Sir Hubert Von Herkomer Story Tess Of The Durbevilles Thomas Hardy Waggon Wagon Waiting Wayside Wessex Horse Drawn Horse Drawn Vehicle Horsedrawn


16"x20" (51x41cm) Metal Print

Bring the haunting beauty of Hubert von Herkomer's iconic illustration for Tess of the D'Urbervilles by Thomas Hardy to your home with our Media Storehouse Metal Prints. This exquisite piece, originally published in The Graphic in 1891, captures the poignant scene where Tess and Angel wait in the dark, their faces illuminated by a single lantern. Our high-quality metal prints are not only visually stunning but also durable, ensuring your artwork stands out with vibrant colors and sharp details. Add this timeless masterpiece to your collection and relive the captivating story of Tess of the D'Urbervilles.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Animals > Mammals > Horse > Related Images

> Arts > Artists > C > Thomas Child

> Arts > Artists > H > Hubert Hubert

> Arts > Artists > H > Hubert von Herkomer

> Arts > Artists > H > Thomas Hardy


EDITORS COMMENTS
In this evocative print by Hubert von Herkomer, titled "Tess of the D'Urbervilles" after Thomas Hardy's novel, we witness a poignant and tragic scene. Two boys sit quietly on the side of a country road, their expressions etched with despair and misery. A horse-drawn wagon lies collapsed in the background, its horses dead or injured, the victims of an accident. The boys seem to be in a state of shock, their eyes fixed on the scene of the incident. The professor-like figure in the foreground, also affected by the accident, leans against a tree, deep in thought. The horse and cart, once a means of transportation, now lies abandoned and useless, a symbol of the misfortune that has befallen these people. The scene exudes a sense of stillness and despair, as if time itself has come to a standstill. The print, published in The Graphic, an illustrated weekly newspaper in 1891, captures the mood of Hardy's novel, which explores themes of poverty, misfortune, and the harsh realities of rural life in England during the Victorian era.

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