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Metal Print : Sebastopol - from an original drawing, 1854. Creator: Edmund Evans
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Sebastopol - from an original drawing, 1854. Creator: Edmund Evans
Sebastopol - from an original drawing, 1854. Crimean War. Warships on the Black Sea near the port of Sebastopol. The Siege of Sevastopol was the subject of Crimean soldier Leo Tolstoy's "Sebastopol Sketches" and the subject of the first Russian feature film, "Defence of Sevastopol". None of the sea batteries or forts are of the slightest service for defence on the land side...the great fort, St. Nicholas, has not a gun pointed in that direction, and such an armament would be perfectly useless...as that part of the hill on which the town stands rises behind it to a height of 200 feet...all the fortresses and batteries both to the north and south of the great bay, are commanded by higher ground in the rear. The port...consists of a bay running in a south-easterly direction, about four miles long, and a mile wide at the entrance diminishing to 400 yards at the end, where the "Tchernaia Retchka" or Black River, empties itself'. From "Illustrated London News", 1854
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Media ID 36231787
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Black Sea Crimea Ukraine Crimean War Defence Defences Disputed Territory Edmund Evans Edmund William Evans Evans Edmund Evans Edmund William Fort Fortress Fortresses Forts Panorama Royal Navy Sebastopol Krym Ukraine Sevastopol Ukraine Siege Siege Of Sebastopol Siege Of Sevastopol Steam Ship Steam Ships Steamship Steamships Strategic Strategy Territorial Territory Townscape Ukraine Ukrainian Fortifications Naval Warfare
16"x24" (61x41cm) Metal Print
Step back in time with our captivating Metal Print of Sebastopol, an original drawing from 1854 by renowned English engraver Edmund Evans. This exquisite piece transports you to the Crimean War era, showcasing the stunning Warships on the Black Sea near the port of Sebastopol. Witness the historical significance of this iconic image, which inspired Leo Tolstoy's masterpiece "Sebastopol." Elevate your home or office décor with this unique and intriguing Metal Print, a timeless piece of art that tells a story of the past.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "Sebastopol - from an original drawing, 1854," by Edmund Evans, offers a glimpse into the past during the height of the Crimean War. The image depicts a tranquil scene on the Black Sea near the port of Sebastopol, with warships anchored in the bay. The Siege of Sevastopol, a significant event during the Crimean War, served as the inspiration for Leo Tolstoy's "Sebastopol Sketches" and the first Russian feature film, "Defence of Sevastopol." The caption accompanying this print, taken from the "Illustrated London News," reveals the strategic importance and vulnerability of the port. The speaker laments that none of the fortifications or sea batteries were effective for defense on the land side, as the town of Sebastopol sat atop a hill that rose 200 feet high. The fortresses and batteries to the north and south of the bay were also rendered useless due to their being commanded by higher ground in the rear. The port itself is described as a bay running approximately four miles long and a mile wide at the entrance, narrowing to 400 yards at the end where the "Tchernaia Retchka," or Black River, empties itself. The speaker's words provide a fascinating insight into the military strategy of the time and the challenges faced by those defending the port during the siege. Edmund Evans' meticulous drawing brings this historical moment to life, offering a captivating window into the past.
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