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Metal Print : The Sphinx is silent, 1876. Artist: Joseph Swain
Metal Prints from Heritage Images
The Sphinx is silent, 1876. Artist: Joseph Swain
The Sphinx is silent, 1876. The Conservative Prime Minister, Benjamin Disraeli, is here depicted as a great Sphinx, whilst, below him, the British public (notably shown as an entirely male crowd) beg him to speak. Behind the Sphinx can be seen a reference to the Eastern Question. This may refer to the pamphlet which was shortly to be published by the former Liberal Leader, Gladstone, which was entitled The Bulgarian Horrors and the Question of the East. The whole cartoon relates to the recent conflicts involving Turkey that had culminated in a Bulgarian uprising. The British government was concerned that Russia would become involved to protect the Bulgarians. Both sides in the conflict were guilty of perpetrating atrocities. Press coverage in Britain was graphic, but Disraeli was resolute in keeping a distance, though, whilst the country, through the media, clamoured for him to speak. From Punch, or the London Charivari, July 15, 1876
Heritage Images features heritage image collections
Media ID 14831335
© The Print Collector / Heritage-Images
Beaconsfield Benjamin Benjamin Disraeli Bulgaria Bulgarian Conservative Conservative Party Disraeli Distance Distant Dizzy Earl Of Beaconsfield Foreign Affairs Foreign Policy Heritage Image Partnership John Tenniel Joseph Swain Lord Lord Beaconsfield Prime Minister Silence Silent Sir John Tenniel Sphinx Swain Tenniel Turkey Turkish Viscount Hughendon Of Hughendon
16"x20" (51x41cm) Metal Print
Experience the captivating allure of history with our Media Storehouse Metal Prints featuring "The Sphinx is Silent, 1876" by Joseph Swain, John Tenniel, and Benjamin Disraeli. This iconic image, published by Heritage Images, showcases the enigmatic figure of Conservative Prime Minister Benjamin Disraeli transformed into a silent Sphinx. The intricate details of the original artwork come alive on our high-quality metal prints, adding an elegant and timeless touch to any space. Bring history into your home or office with this unique and thought-provoking piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Sphinx is Silent, 1876
EDITORS COMMENTS
is a powerful political cartoon that captures the tense atmosphere surrounding the Eastern Question and Benjamin Disraeli's role as the Conservative Prime Minister of Britain. In this monochrome print by Joseph Swain, Disraeli is depicted as a majestic Sphinx towering above an all-male crowd of British citizens who anxiously beg him to speak. The cartoon symbolizes the public's desperate plea for guidance during a time of conflict involving Turkey and Bulgaria. The Bulgarian uprising had sparked concerns about Russia's potential involvement to protect the Bulgarians, while both sides were guilty of committing atrocities. As press coverage in Britain vividly portrayed these horrors, Disraeli remained resolute in maintaining his distance from foreign affairs. Swain's artwork highlights the stark contrast between Disraeli's silence and the clamor for his voice. The image also references Gladstone's pamphlet titled "The Bulgarian Horrors and the Question of East" which further intensified public pressure on Disraeli to address these pressing issues. This satirical portrayal not only reflects upon Disraeli as a statesman but also serves as a commentary on political leadership during that era. It encapsulates themes such as power dynamics, foreign policy decisions, and public expectations from their leaders. "The Sphinx is Silent" remains an enduring representation of 19th-century politics and continues to be relevant today in its exploration of how politicians navigate complex international crises while balancing domestic pressures.
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