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Metal Print : St Dunstan and the devil, 1826
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St Dunstan and the devil, 1826
St Dunstan and the devil, 1826. Born in Glastonbury, Somerset, St Dunstan (c925-988) became Archbishop of Canterbury in 961. The patron saint of goldsmiths, this illustrates the legend that when interrupted while making a golden chalice, he seized the devil by the nose with red hot pincers and would not release him until he promised not to tempt Dunstan ever again. From Every-Day Book by William Hone. (London, 1826)
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Media ID 14848386
© Ann Ronan Picture Library / Heritage-Images
10th Century Angry Archbishop Archbishop Of Canterbury Bishop Clergyman Cleric Devil Dunstan Goldsmith Good Versus Evil Hone Interruption Mitre Pincers Saint Dunstan St Dunstan Tenth Century William Hone Ann Ronan Pictures
16"x20" (51x41cm) Metal Print
Bring the captivating tale of St. Dunstan and the devil into your home with our exquisite Metal Prints from Media Storehouse. This striking image, created in 1826, depicts St. Dunstan, the legendary Archbishop of Canterbury (925-988), engaged in a dramatic confrontation with the devil. Originally captured by the renowned William Hone, this timeless piece from Heritage Images is meticulously reproduced onto high-quality metal, creating a vibrant and durable work of art that adds depth and texture to any space. Embrace the rich history and intrigue of this iconic story with our Metal Prints - a unique and captivating addition to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the legendary encounter between St Dunstan and the devil in 1826. Born in Glastonbury, Somerset, St Dunstan rose to become Archbishop of Canterbury in 961. Revered as the patron saint of goldsmiths, this image depicts a pivotal moment in his life. According to folklore, while diligently crafting a golden chalice, St Dunstan was interrupted by none other than the devil himself. In an act of defiance against temptation, he fearlessly seized the devil's nose with red hot pincers. The intense anger on St Dunstan's face reflects his determination not to release his grip until the devil promised never to tempt him again. The woodcut style adds a touch of antiquity to this scene from William Hone's Every-Day Book published in London during that era. It transports us back to 19th century England when good versus evil narratives held great significance. In this monochrome portrayal, we witness a clash between two powerful forces - righteousness embodied by St Dunstan and malevolence personified by the devil. This image serves as a reminder of our eternal struggle against temptation and showcases St Dunstan's unwavering commitment to his faith. As we delve into history through this print collector's work, we are reminded of how legends like these shape our understanding of religion and spirituality.
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