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Metal Print : St. Francis of Assisi Takes the Lady Poverty To Be His Bride, c1930. Creator: Unknown
Metal Prints from Heritage Images
St. Francis of Assisi Takes the Lady Poverty To Be His Bride, c1930. Creator: Unknown
St. Francis of Assisi Takes the Lady Poverty To Be His Bride, c1930. St Francis (1182-1226), Italian priest and founder of the Franciscan order, (in dark robes, left), being married by Christ to the allegorical figure of Poverty, who is barefoot and standing amongst thorns. After a fresco by Giotto, made c1330, in the Basilica of San Francesco at Assisi, Italy. From " The Worlds Story, a Simple History for Boys and Girls", by Elizabeth O Neill. [T. C. & E. C. Jack, London & Edinburgh, c1930]
Heritage Images features heritage image collections
Media ID 18910682
© The Print Collector/Heritage Images
Assisi Belief Bondone Bride Elizabeth Elizabeth Oneill Elizabeth Speakman Faith Francis Francis Of Assisi Giotto Giotto Di Giotto Di Bondone Giovanni Bernadone Hardship Jack Oneill Our Saviour Saint Francis Saint Francis Of Assisi San Francesco Dassisi Speakman St Francis St Francis Of St Francis Of Assisi Symbolic Tc And Ec Tc And Ec Jack Thorns Barefoot Thirteenth Century
16"x20" (51x41cm) Metal Print
Experience the timeless beauty and spiritual depth of St. Francis of Assisi's commitment to poverty with our Media Storehouse Metal Print of 'St. Francis Takes the Lady Poverty To Be His Bride.' This captivating image, dating back to the 1930s from Heritage Images, showcases St. Francis (1182-1226) in his dark robes, tenderly embracing the personification of Poverty. Our high-quality Metal Prints bring out the rich details and vibrant colors of this classic artwork, making it a stunning addition to any home or office. Embrace the essence of humility, devotion, and simplicity with this inspiring piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a powerful moment in history, depicting the marriage between St. Francis of Assisi and Lady Poverty. The image showcases St. Francis, an Italian priest and founder of the Franciscan order, dressed in dark robes on the left side of the frame. Standing barefoot among thorns is Poverty, portrayed as an allegorical figure. The scene is inspired by a fresco painted by Giotto di Bondone around 1330 in the Basilica of San Francesco at Assisi, Italy. This photograph was taken in approximately 1930 and features exquisite monochrome detailing that adds depth to this symbolic union. St. Francis' commitment to poverty as a way of life is beautifully depicted here as he takes Poverty to be his bride with Christ officiating their sacred bond. The composition evokes a sense of hardship and sacrifice while emphasizing St. Francis' unwavering faith and dedication to his religious beliefs. Elizabeth O'Neill's book "The World's Story: A Simple History for Boys and Girls" references this remarkable artwork, showcasing its significance even beyond its original context. This print serves as a reminder of St. Francis' enduring legacy as well as an exploration into medieval spirituality during the thirteenth century when such vows held great importance within society. It invites viewers to reflect on their own relationship with material wealth and consider how embracing simplicity can lead to spiritual fulfillment.
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