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Metal Print : "The Return of the Lost Sailor", by T. Roberts, in the Exhibition of the Society of... 1862. Creator: W Thomas. "The Return of the Lost Sailor", by T. Roberts, in the Exhibition of the Society of... 1862. Creator: W Thomas

'The Return of the Lost Sailor', by T. Roberts, in the Exhibition of the Society of... 1862. Creator: W Thomas. 'The Return of the Lost Sailor', by T. Roberts, in the Exhibition of the Society of... 1862. Creator: W Thomas



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"The Return of the Lost Sailor", by T. Roberts, in the Exhibition of the Society of... 1862. Creator: W Thomas. "The Return of the Lost Sailor", by T. Roberts, in the Exhibition of the Society of... 1862. Creator: W Thomas

"The Return of the Lost Sailor", by T. Roberts, in the Exhibition of the Society of British Artists, 1862. Engraving of a painting. The story is simply that a sailor has been away from home so long that his wife, despairing of his return, has assumed the widow's weeds, and at his unlooked-for apparition swoons, almost with the rapture of recognition...The few accessories introduced are, however, significant - the widow's cap, fallen off by accident in the embrace, but not to be replaced; the little child's toy-boat on the floor; the glimpse of seashore through the half-opened cottage door, and the inscription on this door suggesting by the word "needlewoman" the struggle of the young mother to support herself and child, and the long weary days and nights she has plied her needle with the sickness at heart of "hope deferred, " and the thousand vampire tricks fancy will play brooding on uncertainty...Mr. Roberts has appended in the catalogue the following sentence, giving it as a quotation, in which the wife is assumed to speak and using it as a sort of text or legend: "Yes! there he was in bodily flesh and blood: thin, sallow, bearded to the eyes, in his rigged sailor's clothes; but - himself". From "Illustrated London News", 1862

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Media ID 35122263

© The Print Collector/Heritage Images

Bundle Collapse Collapsed Collapsing Door Doors Doorway Dramatic Fainting Father Fatherhood Husband Needlewoman Parent Pictures Return Returning Shock Shocked Surprise Surprised Thomas W Toys W Thomas Wives Head Dress Infancy Infant


16"x20" (51x41cm) Metal Print

Experience the timeless beauty of "The Return of the Lost Sailor" by T. Roberts, as captured in this exquisite Metal Print from Media Storehouse. Originally showcased in the Exhibition of the Society of British Artists in 1862, this captivating work of art was skillfully engraved by W. Thomas. Bring the nostalgic charm of 19th-century art into your home or office with this high-quality Metal Print, which showcases vibrant colors, stunning detail, and a durable, modern finish. Each Metal Print is individually crafted using premium materials and state-of-the-art printing techniques, ensuring a beautiful and long-lasting addition to your space. Relive the story told in "The Return of the Lost Sailor" with every glance, as the intricate details and rich colors come to life on your wall. Order yours today and join the countless others who have made Media Storehouse their go-to source for stunning, high-quality art prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Insects > Spiders > False Black Widow

> Arts > Artists > C > Thomas Child

> Arts > Artists > H > Guy Head

> Arts > Artists > H > Robert Home

> Arts > Artists > R > Thomas Roberts

> Arts > Artists > W > Robert White

> Europe > United Kingdom > England > London > Art > Paintings

> People > Children


EDITORS COMMENTS
The Return of the Lost SSailor," a captivating painting by T. Roberts, was showcased in the Exhibition of the Society of British Artists in 1862. W Thomas captured the essence of this poignant work in an engraving that beautifully conveyed the emotional depth of the scene. The painting tells the story of a sailor who, after an extended absence, returns home to find his wife, who had given up hope of his return, dressed in widow's weeds. In the moment of recognition, she collapses in rapture, her cap falling off in the embrace. The room is filled with meaningful accessories - the child's toy-boat on the floor, a glimpse of the seashore through the half-opened cottage door, and the inscription on the door suggesting the wife's struggle to support herself and her child while longing for her husband's return. Roberts added a poignant quote in the catalogue, attributed to the wife, which serves as a text for the painting: "Yes! there he was in bodily flesh and blood: thin, sallow, bearded to the eyes, in his rigged sailor's clothes; but - himself." This powerful image of reunion and the relief of long-held anxiety resonated deeply with the public, making it a standout piece in the exhibition.

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